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Archive for October, 2018

Episode 314: Preamble Snipper

October 12th, 2018 | Robin

 

Another all-request episode kicks off in the Gaming Hut as Patreon backer Gene Ha asks what F20 evil deities get out of all the dungeons they create and manage.

In the Cartography Hut we look into trap streets and parch marks, at the behest of backer Jurie Hornemann.

Ask Ken and Robin gives backer Jacques de Villiers the chance to ask Robin about GMless Hillfolk.

Finally in Ken’s Time Machine, backer Michael Maneval asks Ken to describe the reasons behind his constant efforts to keep musical instrument inventor Adolphe Sax from a premature final rest.

Want to pose a question to the show? Get your priority question asking access with your support for the KARTAS Patreon!

Snag Ken and Robin merchandise at TeePublic.


Over the Edge is back, with Jonathan Tweet updating his classic and influential game design. Get ready to duck New Age cultists, baboon-wielding gangsters, twisted assassins when the roleplaying game of weird modern danger. The island of Al Amarja may have moved from its classic 1990s location, but never fear. The Kickstarter may be over, but the action has moved to BackerKit.

Ken’s latest roleplaying game, The Fall of Delta Green, is now available in print or PDF or both from Pelgrane Press. Journey to the head-spinning chaos of the late 1960s, back when everyone’s favorite anti-Cthulhu special ops agency hadn’t gone rogue yet, for this pulse-pounding GUMSHOE game of war, covert action, and Mythos horror.

Grab the translated riches of FENIX magazine in a special bundle deal from our friends at Askfageln, over at Indie Press Revolution. Score metric oodles of Ken Hite gaming goodness, a cornucopia of articles, complete games, plus the cartoon antics of Bernard the Barbarian. Warning: in English, not in Swedish. In English, not Swedish. Just in time to save the world, though perhaps not your team of hardened covert agents, from the Mythos, the Delta Green Handlers Guide from Arc Dream Publishing is now in print and either at or headed to a game store near you. The slipcase print edition includes both the Handlers’ Guide and Agents’ Handbook, fitting snugly into your go bag along with your extra passports and list of weapons caches.

Ken and Robin Consume Media: Lady Gaga and the Necronomicon

October 9th, 2018 | Robin

Ken and Robin Consume Media is brought to you by the discriminating and good-looking backers of the Ken and Robin Talk About Stuff Patreon. Each week we provide capsule reviews of the books, movies, TV seasons and more we cram into our hyper-analytical sensoriums. Join the Patreon to help pick the items we’ll talk about in greater depth on a little podcast segment we like to call Tell Me More.

The Pinnacle

A Star is Born (Film, US, Bradley Cooper, 2018) Alcoholic country-rock star (Bradley Cooper) falls for a working class waitress (Lady Gaga) who has given up on her music dreams. Cooper goes far beyond the strong performances and focus on character you expect from an actor turned director, demonstrating a full cinematic palette of composition, color, transitions and sound.—RDL

Recommended

Expect the Unexpected (Film, Hong Kong, Patrick Yau, 1998) Two HKPD cops, straight-laced Ken (Simon Yam) and loose, savvy Sam (Lau Ching-Wan) compete for the attention of a waitress (Yoyo Mung) while two gangs — one murderously competent, one bumbling — operate in her neighborhood. By turns gritty policier and amiable character piece, Yau braids the two strains, tones, and themes of his film so effortlessly that you don’t, well, expect the unexpected when they cross. –KH [Also apparently streaming now on Amazon Prime.]

Female Prisoner #701: Scorpion (Film, Japan, 1972, Shunya Itō) Silently defiant, ingenious inmate endures a corrupt prison system as she seeks the chance to escape and take revenge on her betraying vice cop ex. Stylistic and political radicalism justify the exploitativeness, or is it the other way around, in this lurid gut-punch of a movie. Park Chan-wook fans will recognize this as the reference point for Sympathy for Lady Vengeance. Caveat: If this combo of cinema’s two most problematic genres at all sounds like maybe it’s not for you, IT MOST ASSUREDLY IS NOT.—RDL

November (Film, Estonia, Rainer Sarnet, 2017) In Baroque-era rural Estonia, where the dead return periodically for dinner and farmers can turn old tools into demonic constructs, a determined peasant loves a handsome but dim neighbor who pines for a young noblewoman. Stark black and white image conjure the otherworldly quality of this earthy, eerie folk tale with touches of early Tarkovsky and the Brothers Quay.—RDL

Good

Dealt (Film, US, Luke Korem, 2017) The great risk of making a documentary about an entertainer is that the documentary pales next to the entertainment. Korem’s film about legendary card mechanic Richard Turner only really comes alive when Turner is dealing cards, or at least on screen talking about dealing cards. The human story of Turner overcoming, then accepting, his total blindness pales into conventional uplift, even with such a stubbornly individual subject. –KH

The House With a Clock in its Walls (Film, US, Eli Roth, 2018) Orphan Lewis Barnavelt (Owen Vaccaro) comes to live with his eccentric magician Uncle Jonathan (Jack Black) in the titular house. I suspect people who haven’t read the John Bellairs masterpiece kids’ novel may enjoy this more than those of us who regret losing Bellairs’ signature childhood-fear tone for an able whack at  Amblin-meets-Harry-Potter with a side of please-let-this-be-a-franchise desperation. Cate Blanchett is a standout as the witchy neighbor Florence Zimmerman, but Kyle McLachlan sadly has less to do as revenant wizard Isaac Izard. –KH

Housewife (Film, Turkey, Can Evrenol, 2017) After her mother’s murderous rampage traumatizes her in childhood, Holly (Clementine Poidatz) finds herself a passive, frightened woman taken for granted by her artist boyfriend Tim (Ali Aksöz) and pursued by motivational cult guru Bruce (David Sakurai). This modern giallo has all the virtues (haunting score, glorious palette and production design, visceral gore) and most of the vices (misogyny (here sorta subverted) and incoherence) of that genre. –KH

Mon Mon Mon Monsters (Film, Taiwan, Giddens Ko, 2017) Bullied high schooler becomes passively complicit when his tormentors, forced to hang out with him, capture a CHUD-like cannibal humanoid who used to be a young girl. Less a scary movie than a grim parable of power and cruelty filled with gore and horror motifs.—RDL

Necronomicon: The Book of Hell (Film, Argentina, Marcelo Schapces, 2018) When his neighbor the immortal protector of the Necronomicon dies, Buenos Aires National Library librarian Luis (Diego Velazquez) gets pulled into the resulting apocalypse. Individual shots and scenes work well, but the plot loses its thread early and never recovers; a clever invocation of Borges barely transcribes this film into Good. –KH

Okay

Corpse (Film, US, Christopher Ernst, 2018) Jealous cousin of a reality star Hillary Castaigne (Cara Loften) seeks fame while her model girlfriend Tess (Marion Le Coguic) falls victim to DNA rewritten by bioinformatician Boris (Doug Goldring) in this melange of Chambers’ Carcosa Mythos stories. I truly admire the notion of turning The King in Yellow into an art film, but Ernst’s reach pretty clearly exceeds his grasp here. The juxtapositions don’t create, they only confuse, and the story threads remain both uneven and unfinished. If you are a Carcosaholic, call it Worth Watching While Doing Something Else. –KH

Rules of Ruin (Film, Mexico, Victor Osuna, 2018) Workaholic translator Minerva (Yunuen Pardo) takes on the job of translating the titular grimoire, and invites possession and haunting by the Ancients. The human core story and Pardo’s dedicated performance keep you invested through a by-the-numbers plot, but the film doesn’t do what it could with the horror element, settling for by-the-numbers menace. –KH

Episode 313: All the Hitting in the World

October 5th, 2018 | Robin

 

The Cinema Hut bursts with upcoming delights as Robin returns from his annual jaunt to Toronto International Film Festival to provide highlights on a banner year.

In the Gaming Hut we tackle a perennial problem: how do you make sure the talky PC gets to talk to the talky NPC before the killy PC kills him with his proverbial axe?

Finally the Conspiracy Corner digs into an archetypal case of magical thinking gone devastatingly wrong, the Satanic Panic of the 80s and early 90s.

Want to pose a question to the show? Get your priority question asking access with your support for the KARTAS Patreon!

Snag Ken and Robin merchandise at TeePublic.


Over the Edge is back, with Jonathan Tweet updating his classic and influential game design. Get ready to duck New Age cultists, baboon-wielding gangsters, twisted assassins when the roleplaying game of weird modern danger. The island of Al Amarja may have moved from its classic 1990s location, but never fear. The Kickstarter may be over, but the action has moved to BackerKit.

Ken’s latest roleplaying game, The Fall of Delta Green, is now available for preorder from Pelgrane Press. Journey to the head-spinning chaos of the late 1960s, back when everyone’s favorite anti-Cthulhu special ops agency hadn’t gone rogue yet, for this pulse-pounding GUMSHOE game of war, covert action, and Mythos horror.

Grab the translated riches of FENIX magazine in a special bundle deal from our friends at Askfageln, over at Indie Press Revolution. Score metric oodles of Ken Hite gaming goodness, a cornucopia of articles, complete games, plus the cartoon antics of Bernard the Barbarian. Warning: in English, not in Swedish. In English, not Swedish.

Just in time to save the world, though perhaps not your team of hardened covert agents, from the Mythos, the Delta Green Handlers Guide from Arc Dream Publishing is now in print and either at or headed to a game store near you. The slipcase print edition includes both the Handlers’ Guide and Agents’ Handbook, fitting snugly into your go bag along with your extra passports and list of weapons caches.

Ken and Robin Consume Media: Haunting Docs and Shambolic Talk

October 2nd, 2018 | Robin

Ken and Robin Consume Media is brought to you by the discriminating and good-looking backers of the Ken and Robin Talk About Stuff Patreon. Each week we provide capsule reviews of the books, movies, TV seasons and more we cram into our hyper-analytical sensoriums. Join the Patreon to help pick the items we’ll talk about in greater depth on a little podcast segment we like to call Tell Me More.

Recommended

Anthropocene: The Human Epoch (Canada, Jennifer Baichwal & Nicholas de Pencier & Edward Burtynsky, 2018) Documentary prowls the world depicting the massive scale of Homo sapiens’ alterations to the planetary environment. Titanic in its scope and paradoxical in the beauty of its hellishness—though the narration does not grapple with the way its visual language portrays humanity as a destructive invasive species in need of dramatic culling.—RDL. Seen at TIFF; now in limited theatrical release.

Dawson City: Frozen Time (Film, Canada, Bill Morrison, 2016) Collage technique uses archival footage, mostly from a recovered trove of silent films found buried in the Yukon permafrost, to tell the wild story of Dawson City and its early experience of cinema culture. A haunting ambient score turns what could be a quotidian tale of film preservation into a haunting meditation on images as messages from the past.—RDL

Film Stars Don’t Die in Liverpool (Film, UK, Paul McGuigan, 2017) Young Liverpudlian actor (Jamie Bell) has a romance with film star Gloria Grahame (Annette Bening) two decades after the peak of her career, only to discover that she’s been concealing a grave health problem. Bening, probably wisely, comes off more as a generalized fading movie icon than a likeness of Grahame. She and Bell deliver affecting performances and McGuigan adds a dash of style to what could have been a talky biopic.—RDL

The Good Place Season 2 (Television, NBC, Michael Schur, 2017) Having discovered that they are in the [[SPOILER]] Place, Eleanor and the gang reluctantly accept Michael’s help in avoiding the attentions of his fellow [[SPOILERS.]] Counters the dread sophomore slump with a significant change-up to its core formula, breaking new ground for the serialized sitcom.—RDL

Quincy (Film, US, Rashida Jones & Alan Hicks, 2018) Documentary interweaves chronological bio segments presenting the many careers and accomplishments of music legend Quincy Jones with an intimate present-day portrait of a hard-partying workaholic’s confrontation with the limitations of an aging body.—RDL

Good

Norm Macdonald Has a Show Season 1 (Television, Netflix, 2018) It seems odd to think that an intentionally meandering, offputting, deconstructed talk show should be longer, but it should. Following the format of his old podcast, Norm takes his habitual talk-show-derailing affect to his own show with predictable consequences: when the guest can hang (like Michael Keaton or Jane Fonda) or fight back (David Spade, David Letterman) it’s great. When they can’t (Lorne Michaels), it’s shambolic. Most times, it’s kind of both. Recommended for full-tilt Macdonaldphiles, but the Norm sauce may be a bit too reduced for everyone to like the taste. –KH

The Tag-Along (Film, Taiwan, Cheng Wei-hao, 2015) Callow realtor, along with his girlfriend and grandma, run afoul of mosien, child-goblin-insect spirits who, after habitat encroachment on their mountainous forest homes, have expanded their range to prey on urbanites. Sublimation of Alzheimer’s fears overcomes the common stumbling block of ghost movies by having somewhere to escalate to in its third act.—RDL

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