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Ken and Robin Consume Media is brought to you by the discriminating and good-looking backers of the Ken and Robin Talk About Stuff Patreon<\/a>. Each week we provide capsule reviews of the books, movies, TV seasons and more we cram into our hyper-analytical sensoriums. Join the Patreon to help pick the items we\u2019ll talk about in greater depth on a little podcast segment we like to call Tell Me More.<\/i><\/p>\n Fleabag Season 2<\/a> (Television, UK, BBC\/Amazon, Phoebe Waller-Bridge, 2019) A yen for the priest (Andrew Scott) who will officiate the wedding of her father (Bill Paterson) to his dreadful partner (Olivia Colman) threatens Fleabag\u2019s (Waller-Bridge) newfound equilibrium. In a rare recent instance of a second season building on and topping the first, Waller-Bridge deepens her already rich characters and brings the proceedings to a satisfying unresolved resolution.\u2014RDL<\/p>\n The Devils (Film, UK, Ken Russell, 1971) Accusations of sorcery from a sexually frustrated abbess (Vanessa Redgrave) provide the pretext for Cardinal Richelieu\u2019s allies to rid themselves of a politically inconvenient, hot-blooded priest (Oliver Reed.) Only in the topsy-turvy film world of the early seventies could this wildly theatrical, and wildly everything else as well, phantasmagoria of a satirical historical drama appear on the Warner Brothers release slate.\u2014RDL<\/p>\n Exhibition <\/a>(Film, UK, Joanna Hogg, 2013) The marriage of two artists, one (Viv Albertine) in preemptive mourning over the striking modernist house she does not want to sell, the other (Liam Gillick) cerebral and unresponsive, hits a rough patch. Austere, minutely-observed, (mostly) naturalistic drama will induce squirms of pained sympathy from anyone who hates to be interrupted while working at home.\u2014RDL<\/p>\n Joker (Film, US, Todd Phillips, 2019) Failed by everyone including himself, party clown Arthur Fleck (Joaquin Phoenix) embraces nihilism in a broken Gotham City. Phoenix’ gripping physical performance carries the film over its two main structural problems: origin stories aren’t stories, and even the best pastiche (which this is) only reminds viewers of the better originals (in this case, Taxi Driver<\/a> and The King of Comedy<\/a>). However, within those limits, Phillips and his team (especially production designer Mark Friedberg) make a really great movie nobody really needs. –KH<\/p>\n On Stories and Other Essays on Literature<\/a> (Nonfiction, C.S. Lewis, 1982) In a series of essays (mostly published between 1944 and 1960) Lewis justifies the Romance and explains, as best he can, his own works in that broad country. Mostly minor pieces, a few of them (“On Stories” and “On Criticism” especially) sparkle as critical gems. Lovers of Lewis’ stately arguments, and of that breed of fiction concerned with Story, can find plenty to chew over, although readers already familiar with Lewis will find plenty that’s familiar here as well. –KH<\/p>\n 1637: The Polish Maelstrom<\/a> (Fiction, Eric Flint, 2019) Book 27 (!!) in the “Ring of Fire” series finds the time-slipped Americans at war with the Ottoman Empire and deniably undermining the Polish kingdom. Nothing much happens in the big picture, but at least it happens fast this time around, thanks to Flint authoring solo and attempting to advance his unwieldy alternate timeline by main force. If you’re a fan of the series, it’s Recommended for this refreshing pacing change. –KH<\/p>\n Raising Hell: Ken Russell and the Unmaking of the Devils<\/a> (Nonfiction, Richard Crouse, 2012) Until Criterion releases the deluxe disc edition they\u2019re clearly hankering to make, this thorough, occasionally hyperbolic,\u00a0 look at Russell\u2019s best and most doomed film serves as a commentary track in prose. Covering everything from the historical case of the Loudun possessions to the myriad censored cuts of the film, this dangles the ironic likelihood that Warners only greenlit it because studio execs can\u2019t read stage directions.\u2014RDL<\/p>\nThe Pinnacle<\/h2>\n
Recommended<\/h2>\n
Good<\/h2>\n
Okay<\/h2>\n