Archive for the ‘Uncategorized’ Category
Episode 553: They Get a Really Great Poem Out of It
June 23rd, 2023 | Robin
Beloved Patreon backer Ryan McClelland ventures into our seedy, low rent Gaming Hut to ask how Sam Spade’s monkeywrenching style of investigation fits in GUMSHOE.
In Ken and/or Robin Talk to Somebody Else, Ken talks to Improv for Gamers author Karen Twelves.
The Cinema Hut Science Fiction Cinema Essentials series makes the turn from the 80s into the 90s, starting with a duo of cool dudes who know their way around a time machine.
Speaking of chrono-conveyances, Ken’s Time Machine heads back to the 980s to see what our hero can do about a series of devastating Vikings raids.
Want to pose a question to the show? Get your priority question asking access with your support for the KARTAS Patreon!
Our Patreon-backed Letterboxd list of all films mentioned on the show is now up and running.
Also check out the Goodreads list of books mentioned on the show.
Snag Ken and Robin merchandise at TeePublic.
Waggle your tiny clawed arms in delight! The 5E edition of Planegea, Atlas Games’ setting of primordial fantasy wonder, has arrived. Whether you’re a saurian or shimmering, dreamwalking elf, you’ll want to grab the campaign setting book, as well as accessories like the GM screen, adventures, soundtrack, and deluxe boxed edition while that meteor remains safely in the sky above.
The skies above New Olympus are patrolled by caped crusaders, but these superior beings are far from heroes. They wield their powers with reckless disregard, serving the interests of corporate overseers, and silencing those who oppose their will. You are Klara Koenig, investigative journalist for The Pedestrian newspaper, and you intend to prove the privileged superhuman elite do not yet hold a monopoly on justice. Welcome to Alteregomania: the newest setting for the GUMSHOE One-2-One system.
The treasures of Askfageln can be found at DriveThruRPG. Get all issues of FENIX since 2013 available in special English editions. Score metric oodles of Ken Hite gaming goodness, along with equally stellar pieces by Graeme Davis and Pete Nash. Warning: in English, not in Swedish. In English, not Swedish. While you’re at it, grab DICE and Freeway Warrior!

Put on your flannels, grab your duffel bag of hardware and assemble your fake passports. Alert your retailer to the contents of their favorite unmarked warehouse. Delta Green: The Conspiracy, the revised, updated and declassified edition of the iconic 1990s sourcebook has escaped from Arc Dream Publishing.
Podcast: Play in new window | Download
Ken and Robin Consume Media: Obi-Wan, Doctor Strange, Rothaniel, and the First Shin Honkaku Novel
June 28th, 2022 | Robin
Ken and Robin Consume Media is brought to you by the discriminating and good-looking backers of the Ken and Robin Talk About Stuff Patreon. Each week we provide capsule reviews of the books, movies, TV seasons and more we cram into our hyper-analytical sensoriums. Join the Patreon to help pick the items we’ll talk about in greater depth on a little podcast segment we like to call Tell Me More.
The Pinnacle
Jerrod Carmichael: Rothaniel (Stand-Up, US, HBO, Bo Burnham, 2022) At the Blue Note in New York, Carmichael reveals a tangle of family secrets and his gay identity. Astoundingly gutsy set cedes partial control to an increasingly participatory audience, landing in the intersection of comedy and high-wire confessional performance art.—RDL
Recommended
Den of Thieves (Film, US, Christian Gudegast, 2018) Sleazy major crimes cop (Gerard Butler) zeroes in on an ex-military robbery crew leader (Pablo Schreiber) as he cases L.A.’s branch of the Federal Reserve Bank. Crackling crime drama throws in clever heist twists as it genuflects before the altar of Heat,—RDL
Fire Island (Film, US, Andrew Ahn, 2022) Commitment-shy New Yorker (Joel Kim Booster) ducks his own intimacy issues during his gang’s annual group vacation in a gay resort time with an unsolicited promise to wingman his less confident bestie (Bowen Yang.) Borrows Judd Apatow’s mix of relaxed pacing, arrested maturity sincerity and raunch as a framework for the gay rom-com.—RDL
The Tokyo Zodiac Murders (Fiction, Japan, Soji Shimada, 1981) Forty years after the fact, astrologer Kitoshi Mitarai and his faithful (and self-described) Watson investigate a storied 1936 serial murder apparently planned by a mad alchemical artist – who was killed in a locked room before the murders began. Shimada’s first novel kicked off the shin honkaku subgenre with its verve, ironic joy, and critical success. The bizarre setup keeps the immense up-front exposition dump interesting, and the ensuing detection delightfully combines the eccentric and the humane. –KH
Good
Doctor Strange and the Multiverse of Madness (Film, US, Sam Raimi, 2022) Doctor Strange (Benedict Cumberbatch) protects a young woman who can jump between alternate realities (Xochitl Gomez) from the Scarlet Witch (Elizabeth Olsen), now corrupted by an evil tome. Raimi livens up the thankless assignment of paying off story debts incurred in previous MCU entries by deploying as many of his signature flourishes as they’ll let him sneak in.—RDL
The Helm of Hades (Fiction, Paul Halter, 2019) French mystery author Halter has been called the “true heir of John Dickson Carr,” which on the evidence of this collection remains a bit of a stretch. This short story collection comprises nine “impossible” crimes and one Christie-esque timetable mystery, of uneven quality, the best being “The Ladder of Jacob” (a man is found dead from a fall with no heights around). One of the better ones, “The Yellow Book,” incorporates The King in Yellow for extra points. –KH
Okay
Obi-Wan Kenobi (Television, US, Disney+, Deborah Chow, 2022) Middle-aged Obi-Wan (Ewan McGregor) comes out of hiding when 10-year old Leia is kidnapped by Sith lackeys trying to lure him into the clutches of Darth Vader (Hayden Christiansen/James Earl Jones.) A competently executed continuation of the prequel project shows how misconceived it has always been, as the Jedi mythology and events briefly alluded to in the original films does not withstand the scrutiny that occurs when a former backstory becomes main narrative.—RDL
Ken and Robin Consume Media: Dr. Strange, Men, and a Demon-Possessed Skull
May 24th, 2022 | Robin
Ken and Robin Consume Media is brought to you by the discriminating and good-looking backers of the Ken and Robin Talk About Stuff Patreon. Each week we provide capsule reviews of the books, movies, TV seasons and more we cram into our hyper-analytical sensoriums. Join the Patreon to help pick the items we’ll talk about in greater depth on a little podcast segment we like to call Tell Me More.
Recommended
Feels Good Man (Film, US, Arthur Jones, 2020) Sweet-natured cartoonist Matt Furie reacts with confusion, dismay and finally resolve when his creation, Pepe the Frog, long a staple of Internet meme culture, metastasizes into a symbol of far-right hate. Documentary of our Esoterror times fills in the many intermediate stages of Pepe’s disjunctive semiotic journey.—RDL
Good Time (Film, US, Benny Safdie & Josh Safdie, 2017) After dragging his developmentally challenged brother (Benny Safdie) into a bank robbery that gets him locked up, a manipulative screw-up (Robert Pattinson) initiates a cascade of terrible decisions in his bid to free him. Crackling entry in the nightlong doom spiral sub-genre informed by Abel Ferrara and the Dardennes Brothers.—RDL
A Hero of Our Time (Fiction, Mikhail Lermontov, 1840) An observer’s reminiscences and the protagonist’s diary entries recount the romantic havoc wrought by a fickle young Russian officer stationed in the Caucasus. Ironic character study steadily chips away at the outward charms of its inwardly empty subject.—RDL
The Skull (Film, UK, Freddie Francis, 1965) Occult expert Maitland (Peter Cushing) obtains the demon-possessed skull of the Marquis de Sade from sweaty fixer Marco (Patrick Wymark) and badness happens. Acting tour de force by Cushing makes the most from the delicious high concept (originally a Robert Bloch story). A Modernist score by Elisabeth Luytens, fetish-laden set design, and a fine supporting turn by Christopher Lee as a rival occultist top off one of Hammer/Amicus stalwart Francis’ best films. –KH
Good
The Blue Panther (Film, France, Claude Chabrol, 1965) Rich young woman (Marie Laforêt) on vacation at a Swiss ski resort relies on her wits and her judo training when she becomes the caretaker of a jewel sought by assorted international assassins. Chabrol’s tribute to the espionage side of the Hitchcock filmography is pretty and charming but a touch too insouciant about fulfilling genre requirements.—RDL
Doctor Strange in the Multiverse of Madness (Film, US, Sam Raimi, 2022) Dr. Strange (Benedict Cumberbatch) tries to protect universe-jumper America Chavez (Xochitl Gomez) from the Scarlet Witch (Elizabeth Olsen). Think of this as MCU vanilla swirled with Raimi ripple; while the story lurches along we at least get plenty of spooky stuff and wild camera flips to entertain us. Olsen is the real standout acting-wise, mostly thanks to a clunky script that offers little for Cumberbatch or Gomez to do except handwave CGI nonsense. –KH
Men (Film, UK, Alex Garland, 2022) Widowed Harper (Jessie Buckley) rents a manor in a remote English countryside from Geoffrey (Rory Kinnear) to seek closure but gets toxic masculinity with a side of folk horror. A feast of sound and lushly filmed nature, a Green Man, and weird repeating Rory Kinnear only take you so far: a Cronenbergian spectacle at the end doesn’t stick the landing at all, although it certainly squicks it. Harper’s empty passivity wastes Buckley and vitiates what point remains. –KH
Okay
Three Resurrected Drunkards (Film, Japan, Nagisa Oshima, 1968) A trio of students lose their IDs to Korean infiltrators and must resort to metafictional awareness to save their skins. Oshima’s answer to Help! plunks the pop group Folk Crusaders into an eccentric mix of formal experimentation, gross-out humor, and Vietnam War protest.—RDL
Ken and Robin Consume Media: Hawkeye, Finch, Eternals, and The Velvet Underground
January 25th, 2022 | Robin
Ken and Robin Consume Media is brought to you by the discriminating and good-looking backers of the Ken and Robin Talk About Stuff Patreon. Each week we provide capsule reviews of the books, movies, TV seasons and more we cram into our hyper-analytical sensoriums. Join the Patreon to help pick the items we’ll talk about in greater depth on a little podcast segment we like to call Tell Me More.
Recommended
Eyes of Fire (Film, US, Avery Crounse, 1983) On the Ohio frontier in 1750, Shawnee pursue an exiled adulterous preacher (Dennis Lipscomb) and a band of exiles including the daughter of a witch (Karlene Crockett) into a haunted valley. Surprisingly layered script, some really good manitou-ish creepiness, and an original story more than make up for the primitive special effects and slightly flat ending in this folk-horror Western. Also, getting to legitimately describe a movie as a “folk-horror Western” is pretty great. –KH
Five Little Pigs (Fiction, Agatha Christie, 1942) When the daughter of convicted murderess Caroline Crale tasks Hercule Poirot with finding the real killer after 15 years, his little grey cells get their greatest workout. Christie’s use of five narrative voices in flashback adds the layers to character and incident she usually neglects, and the puzzle is up there with her best misdirections. Finally, a Poirot novel I can Recommend. –KH
Hawkeye Season 1 (Television, US, Disney+, Jonathan Igla & Kevin Feige, 2021) Spoiled Hawkeye fangirl Kate Bishop (Hailee Steinfeld) crosses paths with the beat-up, world-weary Avenger (Jeremy Renner) while incurring the wrath of the tracksuit mafia. Good casting and chemistry, better-than-average fights, and a relatively tight series length keep the remarkably dumb story afloat. Any show that gets me to root for Jeremy Renner must be doing something right. –KH
Hercules in the Haunted World (Film, Italy, Mario Bava, 1961) To break the hold of vampire king Lico (Chrisopher Lee) over his beloved Deianira (Leonora Ruffo), brawny demigod Hercules (Reg Park) and his lothario hero pal Theseus (George Ardisson) brave the dangers of Hades. Peplum meets gothic horror as the ongoing series gets the full Bava treatment, from psychedelic color palette to scary imagery that must have blown the terrified minds of kiddie matinee attendees during its original release.—RDL
Ted Lasso Season 2 (Television, US, Apple+, Bill Lawrence, 2021) As AFC Richmond struggles to regain its spot in the Premier League, Ted (Jason Sudeikis) bumps heads with the new team psychologist (Sarah Niles) and Rebecca (Hannah Waddingham) flirts with a mysterious dating app paramour. With the main cast satisfyingly united at the end of the previous season, this outing strains a bit for dramatic tension, settling from fresh new wonder status to comforting hangout show.—RDL
The Velvet Underground (Film, US, Todd Haynes, 2021) Rock band biodoc is in perfect hands with Haynes, who adopts avant garde visual techniques of Warhol and his circle to lay out the narrative of the seminal pre-punk art band, reclaiming Lou Reed’s gay icon status along the way.—RDL
Okay
Eternals (Film, US, Chloe Zhao, 2021) When their ancient enemy monsters return, an immortal alien, superbeing (Gemma Chan) reunites her scattered team of covert social engineers to fight them. Admirably ambitious, mostly stunning-looking shot at departing from established MCU formulas fails to find an efficient path into its complicated mythology and twisting narrative.—RDL
Finch (Film, US, Miguel Sapochnik, 2021) Determined survivor of a solar flare catastrophe (Tom Hanks) builds a humanoid robot (Caleb Landry-Jones) to guard his dog and accompany him on a cross-country journey. Sapochnik makes fine use of Hanks’ proven ability to carry a film as the only visible human onscreen, but draws the horror of his post-apocalypse so thoroughly that it fights the intended sentimentality of the father-son dramatic arc.—RDL
Episode 475: Romance or Blasphemy
December 10th, 2021 | Robin
Hey look it’s another all-request episode!
Beloved Patreon backer Kieron Gillen opens the Gaming Hut, which we hope isn’t a portal into a hellish otherrealm, to ask how designers screen out their skill as GMs during in-house playtests.
Erudite backer Bruce Miller infiltrates the Book Hut to ask about Richard Marsh’s The Beetle, a horror novel that for twenty years out-sold Dracula.
In Ask Ken and Robin, estimable backer Martin Rundkvist asks how Robin, and by extension Ken, goes about choosing projects.
Finally sagacious backer Paul Douglas poses a question that can only fit in the paranoid space that is the Conspiracy Corner: was Lenin a mushroom?
Want to pose a question to the show? Get your priority question asking access with your support for the KARTAS Patreon!
Our Patreon-backed Letterboxd list of all films mentioned on the show is now up and running.
Also check out the Goodreads list of books mentioned on the show.
Snag Ken and Robin merchandise at TeePublic.
Human problems are out of hand, so thank goodness, and Atlas Games, for Magical Kitties Save the Day, a fresh, fun roleplaying game for players of all ages, and for GMs from age 6 and up!
Score a blood-drenched special bonus from Pelgrane Press when you order the print edition Night’s Black Agents Dracula Dossier Director’s Handbook or any of its associated bundles. A new 50-page Cuttings PDF of deleted scenes and horrors that didn’t fit is now available for a limited time with the voucher code VAMP2021.
The treasures of Askfageln can be found at DriveThruRPG. Get all issues of FENIX since 2013 available in special English editions. Score metric oodles of Ken Hite gaming goodness, along with equally stellar pieces by Graeme Davis and Pete Nash. Warning: in English, not in Swedish. In English, not Swedish. While you’re at it, grab DICE and Freeway Warrior!

Delta Green: Black Sites collects terrifying Delta Green operations previously published only in PDF or in standalone paperback modules. They lock bystanders and Agents alike in unlit rooms with the cosmic terrors of the unnatural. A 208 page hardback by masters of top secret mythos horror Dennis Detwiller, Adam Scott Glancy, Shane Ivey, and Caleb Stokes.
Podcast: Play in new window | Download
Episode 466: Foolish Enough to Get Near Us
October 8th, 2021 | Robin
Our Gaming Hut series on the axes of RPG design takes a turn as Robin looks at the trade-offs he thinks about while working on games, starting with Simulation vs Emulation.
Fun With Science goes deep to contemplate the abundance of mesopelagic fish.
The Horror Hut gets connubial at the behest of beloved Patreon backer Toonspew, who wants to know if there’s a Queen in Yellow.
Finally we cover up our luminous watches and enter the Eliptony Hut to confront the dread mystery of the Brazilian vampire UFOs known as the chupas.
Want to pose a question to the show? Get your priority question asking access with your support for the KARTAS Patreon!
Our Patreon-backed Letterboxd list of all films mentioned on the show is now up and running.
Also check out the Goodreads list of books mentioned on the show.
Snag Ken and Robin merchandise at TeePublic.
Dig out your plastic T-Rexes and get them ready to stomp and chomp on your players’ character miniatures as our pals at Atlas Games announce the upcoming Kickstarter for Planegea, their dino-filled 5E setting of prehistoric fantasy adventure.
Score a blood-drenched special bonus from Pelgrane Press when you order the print edition Night’s Black Agents Dracula Dossier Director’s Handbook or any of its associated bundles. A new 50-page Cuttings PDF of deleted scenes and horrors that didn’t fit is now available for a limited time with the voucher code VAMP2021.
The treasures of Askfageln can be found at DriveThruRPG. Get all issues of FENIX since 2013 available in special English editions. Score metric oodles of Ken Hite gaming goodness, along with equally stellar pieces by Graeme Davis and Pete Nash. Warning: in English, not in Swedish. In English, not Swedish. While you’re at it, grab DICE and Freeway Warrior!

Fear Is a Fractal …and your world is a lie. A horror freed from an antique book reverberates through reality. But don’t despair. There is hope. A King waits for us. And Impossible Landscapes, the first campaign for Delta Green: The Role-Playing Game waits for you. In PDF now, hardback in May. Hailed as “one of the best RPG campaigns ever made” and “a masterpiece of surreal horror!”
Podcast: Play in new window | Download
Ken and Robin Consume Media: Black Widow, Summer of Soul, and the Fate of the Artist
July 13th, 2021 | Robin
Ken and Robin Consume Media is brought to you by the discriminating and good-looking backers of the Ken and Robin Talk About Stuff Patreon. Each week we provide capsule reviews of the books, movies, TV seasons and more we cram into our hyper-analytical sensoriums. Join the Patreon to help pick the items we’ll talk about in greater depth on a little podcast segment we like to call Tell Me More.
Recommended
Black Widow (Film, US, Cate Shortland, 2021) On the run from the authorities, Natasha Romanoff (Scarlett Johansson) finds a new lead to the Soviet assassin training program that warped her life—and reunites with her worse-for-wear costumed surrogate family (Florence Pugh, David Harbour, Rachel Weisz.) Self-contained, rooted in character, snappy and with clear, well-staged action, this shaggy dog spy romp nimbly leaps past the structural pitfalls of the MCU.—RDL
The Fate of the Artist (Comics, Eddie Campbell, 2006) When artist Eddie Campbell disappears, a detective interviews his family and associates (including a troupe of actors depicting one of his creations) to get a lead on his character. Campbell elevates a perfectly good joke with visual stories of the arts and a domestic-comedy comic strip (Honeybee) that acts as a sort of Greek chorus of Campbell’s home life. Campbell takes the form seriously to (seemingly) avoid taking the subject seriously, to giddy result. –KH
Summer of Soul (…Or, When the Revolution Could Not Be Televised) (Film, US, Ahmir “Questlove” Thompson, 2021) Consigned to basement storage by dunderheads who didn’t think they could sell it, thrilling musical footage from a series of 1969 Harlem park concerts finds new life and historical context. Top acts include Stevie Wonder, Sly and the Family Stone, Gladys Knight and the Pips, The Staple Singers, and the Fifth Dimension. Crowd shots, usually a crutch in concert films, become the centerpiece, depicting the community that gathered around the music as much as the acts themselves.—RDL
Good
Black Widow (Film, US, Cate Shortland, 2021) A chance to break the Red Room that trained and twisted them reunites Natasha (Scarlett Johansson) with her sister Yelena (Florence Pugh). For a movie about mind control, this has a very on-the-rails, no-twists plot; for a comic-book spy movie the fights (while at least visible) don’t match the best of Marvel much less the best of the genre. Ray Winstone gets the Annette Bening role of “ridiculously squandered actor” this time around. Fortunately Johansson, Pugh, and Rachel Weisz (as their “mother” Melina) bring so much to the table as actors that you aren’t really hungry for much else after two years away from the MCU. –KH
By Sidney Lumet (Film, US, Nancy Buirski, 2015) The prolific director holds court as the sole talking head in a retrospective covering a career that starts in live TV and concludes in the mid-oughts, hitting such highlights as Twelve Angry Men, Serpico, Dog Day Afternoon, Network, and The Verdict. A fine companion to his excellent book of practical filmmaking, Making Movies.—RDL
Okay
The Baron in France (Fiction, John Creasey, 1953) and The Baron and the Mogul Swords (Fiction, John Creasey, 1966) Former jewel thief turned art dealer John Mannering investigates stolen gems, and the murders attendant on them, in these two able potboilers. Creasey wrote something like 600 books, including 47 titles in the Baron series, and don’t worry I’m not going to read them all. Based on these two random titles, they provide a modicum of action, not-too-challenging puzzles, and entirely unchallenging (not to say cardboard) characters. The pages do whiz by, though. –KH
Ken and Robin Consume Media: Mank Writes Kane and H. G. Wells is Full of Himself
December 8th, 2020 | Robin
Ken and Robin Consume Media is brought to you by the discriminating and good-looking backers of the Ken and Robin Talk About Stuff Patreon. Each week we provide capsule reviews of the books, movies, TV seasons and more we cram into our hyper-analytical sensoriums. Join the Patreon to help pick the items we’ll talk about in greater depth on a little podcast segment we like to call Tell Me More.
Recommended
Creem: America’s Only Rock ‘n’ Roll Magazine (Film, US, Scott Crawford, 2019) Documentary chronicles the scrappy, dysfunctional crew behind the scenes of the scrappy, proudly unrespectable rock magazine that published Lester Bangs and Dave Marsh. Another reminder that the story of any outsider culture institution includes volatile personalities and a hand-to-mouth balance sheet .—RDL
Die, Vol. 3: The Great Game (Comics, Kieron Gillen and Stephanie Hans, 2020) Balletic precession into the third act of this story of gamers returning (with their adult baggage) to the fantasy world that trapped them 30 years ago. Gillen’s story slows down just enough to let you feel the blows; Hans’ art if anything intensifies, with seemingly small decisions paying off like depth charges. Bonus points for H.G. Wells being full of himself. –KH [Full disclosure/gratuitous plug: An interview with Ken and Robin appears in the back matter of this volume.]
Night Editor (Film, US, Henry Levin, 1946) To cover up his affair with a rich psychopath (Janis Carter), a spiraling homicide detective (William Gargan) fails to report a murder they witness together. Carter turns in a performance for the villain hall of fame in a B-movie noir so perverse and brutal you wonder how the heck it got past the Hays Office. The title refers not to the main action but to an intrusive framing device set in a newspaper office, meant to launch an anthology series.—RDL
Good
Blackhat (Film, US, Michael Mann, 2015) The FBI releases self-made hacker/ubermensch Hathaway (Chris Hemsworth) from prison to help the Chinese MSS (Wang Leehom) track down a malevolent hacker. Mann cannot frame a bad shot, and in the moment the set pieces work amazingly well; but the story needed at least one more dimension to truly ensnare, and Hemsworth needed at least two more dimensions to portray his character. –KH
The Long Dumb Road (Film, US, Hannah Fidel, 2018) Uptight art student (Tony Revolori) receives unwanted life lessons from the extroverted oddball mechanic (Jason Mantzoukas) who fixes his car on his way to his school in L.A. Mantzoukas gets to play a grounded version of his chaotic comic persona in this winning road buddy flick, though its commitment to realism rules out a climactic finish.—RDL
Mank (Film, US, David Fincher, 2020) Convalescing from a car accident, charmingly caustic screenwriter Herman Mankiewicz (Gary Oldman) holes up on an isolated ranch to write the screenplay for Citizen Kane. Dreamlike Hollywood fantasia focuses less on the credit tussle with Orson Welles than the question of why Mank decided to stick it to erstwhile host William Randolph Hearst and, by way of collateral damage, Marion Davies. Points for including periodic cigarette burns to signal the changes of nonexistent reels.—RDL
Okay
21 Bridges (Film, US, Brian Kirk, 2019) Brilliant homicide detective with a strangely long list of kills on his record (Chadwick Boseman) races against the time to catch the coke heisters who gunned down eight of his colleagues. The script sets up the sealing off of New York’s titular bridges as a central premise and then does absolutely nothing with it. Boseman gives it more star power than it deserves as it oscillates between an action-movie reality level and serious drama.—RDL
EMMA. (Film, UK, Autumn de Wilde, 2020) Charismatic landowner’s daughter (Anya Taylor-Joy) meddles in the love life of her socially precarious friend (Mia Goth), to the tart dismay of hunky neighbor Mr, Knightley (Johnny Flynn.) Even the camera moves are broad in this fondant-colored Austen adaptation, which immediately telegraphs character traits that are meant to slowly reveal themselves over the course of the narrative .—RDL
JLA Classified: New Maps of Hell (Comics, Warren Ellis and Butch Guice, 2006) A sentient ancient alien weapon lands on Earth, and confronts the Justice League with its greatest fears. The set-up of this comic is by far the best part, as Ellis’ technophile imagination sets up a great hook; the payoff is more than correspondingly weak, however, a repetitive, simple story beat unworthy of Ellis. Grant Morrison did basically the same story vastly better in 1997.
Ken and Robin Consume Media: Harlem Renaissance Detecting, Italian Renaissance Painting, and That Play You’ve Heard About
July 7th, 2020 | Robin
Ken and Robin Consume Media is brought to you by the discriminating and good-looking backers of the Ken and Robin Talk About Stuff Patreon. Each week we provide capsule reviews of the books, movies, TV seasons and more we cram into our hyper-analytical sensoriums. Join the Patreon to help pick the items we’ll talk about in greater depth on a little podcast segment we like to call Tell Me More.
Recommended
The Collector of Lives: Giorgio Vasari and the Invention of Art (Nonfiction, Noah Charney and Ingrid Rowland, 2017) Biography of Tuscan Renaissance painter and architect Giorgio Vasari, whose 1550 book Lives of the Most Excellent Painters, Sculptors, and Architects established the precepts of art history as we know it. Packed with lively detail on its obsessively deadline-meeting protagonist, and also his precursors, contemporaries, and era.—RDL
The Conjure-Man Dies (Fiction, Rudolph Fisher, 1932) Harlem doctor John Archer and black NYPD detective Perry Dart must solve the murder of a West African conjure-man which rapidly becomes more than even the impossible crime it appeared. This first detective novel by an African-American writer joins Golden Age structure with Hammett-style street culture, without any white characters. The mystery compels, and if the ending is somewhat abrupt the narrative continuously fascinates and surprises on the way there. –KH
Dark and Bloody Ground: A True Story of Lust, Greed, and Murder in the Bluegrass State (Nonfiction, Darcy O’Brien, 1993) Fired East Kentucky prison guard becomes the accomplice of her chiseled felon lover as he joins a home invasion gang, whose loot later ensnares a colorful defense attorney. Minutely reported true crime saga situates its depraved criminal protagonists, who would be at home in either an Elmore Leonard novel or a Coen brothers film, in the broader context of place and social milieu.—RDL
Ford v Ferrari (Film, US, James Mangold, 2019) Sidelined by heart trouble, a determined former Le Mans champ (Matt Damon) enlists a hotheaded driver (Christian Bale) in the Ford Motor Company’s quixotic plan to beat legendary Italian car designer Enzo Ferrari at that most harrowing of competitions. With an expansiveness reminiscent of 60s widescreen epics, fits the many challenges of the race car flick into the reliable and satisfying chassis of a makers vs. suits story.—RDL
Hamilton (Film, US, Thomas Kail, 2020) Alexander Hamilton (Lin-Manuel Miranda) joins the Revolution, serves under George Washington, founds American capitalism, and dies in a duel against Aaron Burr (Leslie Odom, Jr.). Cut together from film of two 2016 original-cast performances of the smash musical, the movie essentially offers a “you are there” experience while reveling in the actors’ performances. Patriotic, optimistic, multiracial, and centrist, a fitting embodiment of the Obama era’s self-image. –KH
Good
Circus of Books (Film, Rachel Mason, 2019) Documentarian trains her lens on her self-certain mom and affable dad as they close up the West Hollywood porn emporium that for decades served as a fulcrum for L.A.’s gay community. Balances sweet family portraiture with community history at a time of sudden social change.—RDL
Eurovision Song Contest: the Story of Fire Saga (Film, David Dobkin, 2020) Oblivious dimwit (Will Ferrell) teams with the sweetly positive dimwit (Rachel McAdams) who has always loved him to pursue unlikely pop victory for their native Iceland at the titular celebration of titanic kitsch. Amiable spin on the Ferrell formula likely earns a star for those equipped to get the affectionate Eurovision in-jokes.—RDL
Okay
Jay and Silent Bob Reboot (Film, US, Kevin Smith, 2019) Conned out of their names by a Hollywood studio, Jay (Jason Mewes) and Silent Bob (Kevin Smith) head across the country to stop a reboot of Bluntman & Chronic and yes you’ve already seen this film in 2001, except then it had a budget and production values. Mewes has aged even worse than his acting, and Smith mugs more than usual, rendering sadly painful what should be at least a snicker-worthy nostalgia trip. Even as a devoted Askewniverse fan, Okay is as high as I go. –KH
Shockproof (Film, US, Douglas Sirk, 1949) Tough but naive parole officer Griff Marat (Cornel Wilde) gets in too deep when trying to pry a sultry murderer (Patricia Knight) from the suave gambler who led her down the path to crime. The main interest here is seeing a Samuel Fuller script realized by a more polished stylist, but you have to go in prepared for a tacked-on happy ending to lazily handwave away the noir moral transgression at the heart of the story.—RDL
Episode 384: Number One Nightmare
February 28th, 2020 | Robin
Look out for dirigibles as the Gaming Hut looks at the process of selecting your tech level when building an alternate timeline. The Aftermath sequence of The King in Yellow Roleplaying Game serves as our case in point.
In Ken and/or Robin Talk to Somebody Else, we chat with game designer and writer Sarah Saltiel.
Beloved Patreon backer Andrew Miller wants to know Ken’s thoughts on emergent continuity in Ask Ken and Robin.
The Consulting Occultist continues our series of arcane profiles from Belle Epoque Paris with a look at Ely Star, a protege of Robert Houdin who infused his astrology with kabbalism.
Want to pose a question to the show? Get your priority question asking access with your support for the KARTAS Patreon!
Snag Ken and Robin merchandise at TeePublic.
The place you only think you remember explodes with weird danger in Welcome to the Island, the first adventure anthology for Over the Edge from Atlas Games. Launch brand new stories, add intriguing complications to your existing arcs, or create exciting one-shots that bring the weird to your gaming table.
You’ve heard him talk about it. Now you can get it at retail or in the Pelgrane Press store: The Yellow King Roleplaying Game. Shatter your world with this eerie, physically imposing GUMSHOE game of decadent art and multiple existences. For a limited time only, enter the voucher code YELLOW at the Pelgrane shop to get 15% off all Yellow King items when you combine the core set with Absinthe in Carcosa and/or The Missing and the Lost.
The treasures of Askfageln can be found at DriveThruRPG. Get all issues of FENIX since 2013 available in special English editions. Score metric oodles of Ken Hite gaming goodness, along with equally stellar pieces by Graeme Davis and Pete Nash. Warning: in English, not in Swedish. In English, not Swedish. While you’re at it, grab DICE and Freeway Warrior!

Arc Dream Publishing presents a gorgeous new edition of Robert W. Chambers’ The King in Yellow, a deluxe hardback in delightful faux snakeskin, with a foreword by John Scott Tynes, annotations by our own Kenneth Hite, and stunning full-pate color illustrations by Samuel Araya. Grab it while it lasts in the Arc Dream store.

Podcast: Play in new window | Download