Ken and Robin Consume Media: The Mind Paradox
March 21st, 2017 | Robin
Ken and Robin Consume Media is brought to you by the discriminating and good-looking backers of the Ken and Robin Talk About Stuff Patreon. Each week we provide capsule reviews of the books, movies, TV seasons and more we cram into our hyper-analytical sensoriums. Join the Patreon to help pick the items we’ll talk about in greater depth on our new podcast segment, Tell Me More.
Guess which of us was in Vegas this week and which of us wasn’t.
After the Storm (Film, Japan, Hirokazu Kore-Eda, 2016) Perpetually broke failing novelist sidelines as a private investigator and tries to be a better son and father and ex-husband. Well, kinda tries. Wry, beautifully portrayed family drama.—RDL. Seen at TIFF ‘16; now in US theatrical release.
A Skeptic’s Guide to the Mind (Nonfiction, Robert A. Burton, 2013) Exploration of the many daunting obstacles standing in the way of an accurate understanding of how the brain creates the mind. Engagingly argues that many exciting theories in the field are rife with unverifiable circular reasoning and magical thinking, as you have to use the mind to study the mind, and that’s how minds roll.—RDL
Mystery Team (Film, US, Dan Eckman, 2009) Former child detectives who refuse to grow up (Donald Glover, DC Pierson, DominIc Dierkes) get a taste of hard-R rated reality when they agree to investigate a double murder. Although a less than tight edit leaves some of the jokes gasping for air, there are a lot of them, and Glover has charm to spare and the backing of able comedy pinch-hitters including Aubrey Plaza, Ellie Kemper, Bobby Moynihan, Matt Walsh and Jon Daly.—RDL
Time Without Pity (Film, UK, Joseph Losey, 1957) Fresh from sequestration in an overseas alcohol clinic, a writer (Michael Redgrave) arrives back in London to discover that his son is about to hang for murder, triggering a frantic last ditch investigation to exonerate him. Feverish juggernaut of 50s hysteria in which the expat US director drives his British cast to out-emote his Method-acting countrymen.—RDL
The Lure (Film, Poland, Agnieszka Smoczynska, 2015) Mermaid sisters, one more aggressive in pursuit of human flesh than the other, cross the boundary into the human world as stripper-singers at a sleazy nightclub. If you understand me at all, you know that I go to a Polish killer mermaid sexploitation musical wanting to like it, but the basic building blocks needed to establish and develop an engaging story are just plain absent.—RDL
The Silenced (Film, South Korea, Lee Hae-young, 2015) Consumptive girl sent to a Japanese-run sanatorium school during the Occupation faces bullying and a rash of mysterious departures. Gorgeously photographed mix of horror and superhero tropes packs together so many elementary storytelling errors that it’s hard to single out just one. Oh, let’s say: if you’re going to have a central mystery, don’t make it also your premise, and especially don’t telegraph it so heavily that the audience remains way ahead of the characters.—RDL