Posts Tagged ‘Ken and Robin Consume Media’
Ken and Robin Consume Media: Maestro, Women Write Horror, and Tomes About Grimoires
January 30th, 2024 | Robin
Ken and Robin Consume Media is brought to you by the discriminating and good-looking backers of the Ken and Robin Talk About Stuff Patreon. Each week we provide capsule reviews of the books, movies, TV seasons and more we cram into our hyper-analytical sensoriums. Join the Patreon to help pick the items we’ll talk about in greater depth on a little podcast segment we like to call Tell Me More.
The Pinnacle
The Grimoire Encyclopaedia, Vols. 1 and 2 (Nonfiction, David Rankine, 2023) After a concise history of the pre-grimoire tradition, Rankine provides textual histories and discusses the contents of 99 grimoires, from the Greco-Egyptian magical papyri to a modern (1960) forgery and a sorcerous tome assembled in 2021. (The majority of the works covered do, however, fall into the grimoire mainstream 1250-1850.) This would be enough to make it the best single reference work on grimoires, but Rankine goes further and indexes every spirit (demon, angel, etc), stone or crystal, incense or oil, spell ingredient, plant, metal, or tool mentioned in those 99 grimoires. A staggering work of scholarship, fully accessible to gamers and wannabe warlocks alike.—KH
Recommended
Al Capone’s Beer Wars (Nonfiction, John J. Binder, 2017) Shelves of books retail the legends of Capone and the Chicago mobs, but Binder (as befits a University of Chicago professor) goes back to the documentary record of the 729 “gang-style killings” in Cook County from 1919-1933. On this bed of fact, he lays out essentially a military history of the Beer Wars between Capone’s Outfit and the other 11 bootlegging gangs in the city. It’s not the only book you need on the Chicago gangs, but it’s an essential touchstone, an actual history in a field full of (at best) movie tie-ins.—KH
Godard Mon Amour (Film, France, Michel Hazanavicius, 2017) Amid the political upheavals of late 60s Paris, lauded New Wave director Jean-Luc Godard (Louis Garrel) leans into his worst character traits and strains his new marriage to actress Anne Wiazemsky (Stacy Martin) by reconceiving himself as a Maoist revolutionary. As if narrative cinema itself is taking revenge on Godard for all the mean things he said about it, this satirical drama, based on his ex-spouse’s memoir, thoroughly skewers its protagonist, depicting his turn to radicalism as a profound act of professional and personal self-sabotage. Also known as Redoubtable; the US title strikes a further note of travesty, playing on not a Godard film but one by Resnais.—RDL
Klop: Britain’s Most Ingenious Secret Agent (Nonfiction, Peter Day, 2014) Biography of Jona Ustinov, the Jerusalem born, Russo-Ethiopian who won multiple Iron Crosses fighting for Germany in WWI before becoming a ubiquitous operative, interrogator and analyst for MI5 and MI6 in WWII and the Cold War. Clear narrative is often lost as an overstuffed cast of characters take part in a series of murky incidents—which is to say that Day accurately evokes the world of espionage. Among Ustinov’s detractors was his son Peter, who saw the pain suffered by his mother, the painter and stage designer Nadia Benois, by his insistence on introducing her to his many girlfriends.—RDL
Maestro (Film, US, Bradley Cooper, 2023) Wunderkind conductor/composer Leonard Bernstein (Cooper) meets and weds Broadway actor Felicia Montealegre (Carey Mulligan) leading to a lifelong love complicated by his disinclination to conduct his affairs with men discreetly. Cooper skillfully handles an impressionistic script that evades biopic syndrome by making the marriage the throughline.—RDL
The Man with a Shotgun (Film, Japan, Seijun Suzuki, 1961) Capable hunter () vies for the position of sheriff in a lawless mountain logging town. Betrayals and counter-betrayals keep on coming in a Technicolor, Nikkatsuscope contemporary western.—RDL
Good
Monster, She Wrote: The Women Who Pioneered Horror and Speculative Fiction (Nonfiction, Lisa Kröger and Melanie R. Anderson, 2019) Brief sketches of 40+ female horror writers, plus five contemporary subgenre roundups, provide a decent primer of horror literature from the Gothic to now. Individual author treatments are wildly hit-or-miss, but the book as a whole benefits from its synoptic view and from superb book design by Andie Reid. Official nitpicks: No mention of Silvia Moreno-Garcia? Patricia Highsmith relegated to the “Related Work” section of Daphne du Maurier’s essay, and Mary Wilkins Freeman tossed off in a line? Tchah!—KH
Rich and Strange (Film, UK, Alfred Hitchcock, 1931) When they get an unexpected chance to go on a luxury cruise, a sullen office clerk (Harry Kendall) and his optimistic, underappreciated wife (Joan Barry) are drawn to new romantic partners. Mix of wry social comedy and domestic drama shows the Hitchcock energy outside of the suspense genre.—RDL
Ken and Robin Consume Media: Reacher, May December, and Later Silver John
January 23rd, 2024 | Robin
Ken and Robin Consume Media is brought to you by the discriminating and good-looking backers of the Ken and Robin Talk About Stuff Patreon. Each week we provide capsule reviews of the books, movies, TV seasons and more we cram into our hyper-analytical sensoriums. Join the Patreon to help pick the items we’ll talk about in greater depth on a little podcast segment we like to call Tell Me More.
Recommended
The Box (Film, Mexico, Lorenzo Vigas, 2021) Stoic seventh-grader falls in with a textile factory recruiter he believes to be his supposedly murdered father, learning the brutal side of the business. Economical, beautifully shot social realist crime drama.—RDL
Jolly (YouTube channel, Josh Carrott & Ollie Kendal, 2017-present) A spinoff from the more focused (and also Recommended if you want to see a lot of Korean BBQ) Korean Englishman YT channel, Jolly features hosts Josh and Ollie usually (but not always) trying food from snacks or army rations to Michelin meals. The proven good-looking-straight-man, goofy-looking-funny-one combo works again, YouTube content at its most charming and addictive.—KH
The Man Who Spoke Snakish (Fiction, Andrus Kivirähk, 2007) In a fantastical medieval Estonia, a holdout from a beleaguered hunting culture, one of the last people who wields magical powers granted by the language of adders, recounts the tragic events of a life lived in the shadow of encroaching Christianity. Whimsy and brutality inventively intertwine in a tale of cultural transformation and the toll it exacts.—RDL
May December (Film, US, Todd Haynes, 2023) Canny actor (Natalie Portman) pays an extended research visit to a woman (Julianne Moore) she has been cast to play in a movie about the statutory rape trial triggered by her relationship with her now-adult, then seventh grade husband (Charles Melton.) An undertow of subtext seethes beneath the brittle surface of this powerfully acted domestic drama.—RDL
PG: Psycho Goreman (Film, Canada, Steve Kostanski, 2021) With her confederate slash whipping boy brother (Owen Myre) at her side, an unhinged grade schooler (Nita-Josee Hanna) gains control over a mighty evil alien overlord from the planet Gigax. Scrappy, blood-drenched indie tokusatsu flick spoofs E.T. and pays homage to the straight-to-VHS oeuvre of Charles Band.—RDL
Tár (Film, US, Todd Field, 2022) Superstar conductor Lydia Tár (Cate Blanchett) heads for the high point of her career, conducting Mahler’s Fifth with her Berlin Philharmonic, even as her tragic flaw (serial sexual predation) widens and is exposed. A classic tragedy, wonderfully acted (Noémie Merlant as Lydia’s resentful assistant is magnificently restrained) and composed, punctuated by sudden character reveals that rotate the story.—KH
This Happy Breed (Film, UK, David Lean, 1944) An optimistic WWI vet turned travel agent (Robert Newton) shepherds his loving but sometimes sharp-elbowed family through the ups and downs, personal and political, of the interwar period. Adaptation of a 1939 Noel Coward play focuses on character while also using four years of hindsight to bring an air of pointed irony to its morale boosting proceedings.—RDL
The Voice of the Mountain (Fiction, Manly Wade Wellman, 1984) Silver John decides to climb Cry Mountain to find the source of its cry, and discovers a black magician in this place of power. The resolution doesn’t quite match the wonder of the setup, and Wellman’s prose is not quite as well-joined as in his original 1951-1963 Pinnacle Silver John tales of Appalachian magic, but all that says is it’s merely an excellent occult adventure story..—KH
Good
Gangubai Kathiawadi (Film, India, Sanjay Leela Bhansali, 2022) Brothel-keeper Gangubai (Alia Bhatt) recalls her own rise to political power in the Mumbai red-light district of Kamathipura. Bhatt is always an actress worth watching, but she can’t elevate this relatively rote biopic very far out of its strangely sanitized channel.—KH
The Hanging Stones (Fiction, Manly Wade Wellman, 1982) Silver John investigates a businessman’s plan to build a reproduction of Stonehenge as a tourist attraction. Some superb supernatural ideas appear in this somewhat shapeless novel, and it’s always nice to see (one of Wellman’s other series occult-battlers) Judge Pursuivant as a guest star, but it needed another editing pass to bring it even up to the standard of later Silver John novels.—KH
No Man of Her Own (Film, US, Wesley Ruggles, 1932) Suave card sharp (Clark Gable) conceals his true profession when he goes on the lam to a small town and falls for a bored librarian (Carole Lombard.) Slight pre-Code romcom burns with the palpable heat between the leads, who don’t get together in real life for another four years.—RDL
Reacher Season 2 (Television, US, Amazon Prime, Nick Santora, 2023-4) Someone is killing off enormous former MP Jack Reacher’s (Alan Ritchson) less-enormous former MP team, and he starts looking into it. The fight choreography has really dropped off between seasons (with one exception in the last episode), and the lack of focus (between flashbacks and forgettable team members) badly weakens the brutal drive that Season 1 brought. It’s still Jack Reacher harming bad guys, but that climb to Justified-level purity I hoped for from last season has not even begun.—KH
Ken and Robin Consume Media: The Devil in Folklore and Folklore in Horror
January 16th, 2024 | Robin
Ken and Robin Consume Media is brought to you by the discriminating and good-looking backers of the Ken and Robin Talk About Stuff Patreon. Each week we provide capsule reviews of the books, movies, TV seasons and more we cram into our hyper-analytical sensoriums. Join the Patreon to help pick the items we’ll talk about in greater depth on a little podcast segment we like to call Tell Me More.
Recommended
Cloven Country: the Devil and the English Landscape (Nonfiction, Jeremy Harte, 2022) Starting in the 16th century English folktales explaining unusual landscape features underwent a switch, substituting a comic, thwartable Devil for the giants and fairies that previously starred in them. In a scholarly but wry and accessible voice, Harte comprehensively rounds these up, abjuring the temptation to theorize a grand cause for the shift and then bend the evidence to fit.—RDL
Ladies in Retirement (Film, US, Charles Vidor, 1941) Staid companion/housekeeper (Ida Lupino) to a fussy former actress (Isobel Elsom) resorts to desperate measures to keep her chaotic, mentally ill sisters (Elsa Lanchester, Edith Barrett) housed with her. Expressionistic Victorian-set gothic based on an English murder play.—RDL
No Hard Feelings (Film, US, Gene Stupnitsky. 2023) In danger of being priced out of her own home town and needing a vehicle to make her summer nut as an Uber driver, a beleaguered townie (Jennifer Lawrence) accepts an offer from worried rich parents (Matthew Broderick, Laura Benanti) to relieve their introverted son (Andrew Barth Feldman.) Reaffirms the heartfelt raunchy comedy as the last vestige of realistic characterization in mainstream movies, with a healthy dollop of class awareness and something of a Mike Nichols vibe.—RDL
Woodlands Dark and Days Bewitched: A History of Folk Horror (Film, US, Kier-La Janisse, 2021) The resurgent horror sub-genre gets a comprehensive, international and pancultural survey from critics and filmmakers. Long but meant to be consumed in chapter-length chunks, this will have you scrambling to JustWatch to see which obscure 70s British TV dramas are available for streaming in your region.—RDL
Good
The Black Report (Fillm, Japan, Yasuzô Masumura, 1963) Cops and prosecutors confront bribes and perjury in the case of a murdered, philandering CEO. Cynical courtroom drama beats Dick Wolf to the Law & Order structure by 30 years.—RDL
Okay
Sakra (Film, China/HK, Donnie Yen) Stalwart leader of a Song Dynasty bandit gang (Donnie Yen) battles his own allies when he is framed for the murders of his parents and a subordinate. Setup for a franchise fails to untangle a convoluted plot it has presumably inherited from its wuxia source novel.—RDL
Ken and Robin Talk About Stuff: Poor Things, Ferrari, Silent Night
January 9th, 2024 | Robin
Ken and Robin Consume Media is brought to you by the discriminating and good-looking backers of the Ken and Robin Talk About Stuff Patreon. Each week we provide capsule reviews of the books, movies, TV seasons and more we cram into our hyper-analytical sensoriums. Join the Patreon to help pick the items we’ll talk about in greater depth on a little podcast segment we like to call Tell Me More.
The Pinnacle
Poor Things (Film, UK, Yorgos Lanthimos, 2023) Over the misgivings of the weird scientist (Willem Dafoe) who reanimated her, a sheltered woman (Emma Stone) whose brain has yet to catch up with her body elects to see the world with a vain cad (Mark Ruffalo) as her guide. Frankenstein motifs come out to play in a satirical art nouveau steampunk fable of innocence and experience wrapped around Stone’s astounding performance.—RDL
Recommended
Blood & Mistletoe: The History of the Druids in Britain (Nonfiction, Ronald Hutton, 2009) After demonstrating with his customary gentle, systematic authority that next to nothing can be conclusively proven about druids, Hutton lays out the various British projections, suppositions and outright fabrications about them that started with a revival of interest in the subject that began in the early modern period. An indispensable politico-aesthetic history of Britain as seen through the lens of a constantly reimagined, bloodthirsty and/or benevolent caste of priests and/or magicians and/or scientists.—RDL
Ferrari (Film, US, Michael Mann, 2023) In 1957, Enzo Ferrari (Adam Driver) may lose his company to deeper-pocketed competitors, and wreck his marriage to Laura (Penélope Cruz) over his infidelity with Lina (Shailene Woodley). Mann unreels the story of what happens when two crises collide in one man, in an unusually internal film for him—even the racing scenes deliberately seem stepped down. Driver and Cruz (of course) play metal and fire off each other wonderfully.—KH
Incredible But True (Film, France, Quentin Dupieux, 2022) Bourgeois couple (Alain Chabat, Léa Drucker) who have a duct in their house that allows one to travel ahead twelve hours in time while also de-ageing by three days are nonplussed to learn that their friend, his boss, has had an electronic penis installed. Droll cautionary tale pays homage to Buñuel.—RDL
Silent Night (Film, US, John Woo, 2023) Rendered mute by the gangsters whose shootout claimed his young son’s life, an ordinary family man transforms himself into a traumatized instrument of vengeance. Contrary to the action romp promised by its marketing, this dialogue-free pure cinema subversion of the Death Wish formula is Woo’s darkest film since Bullet in the Head.—RDL
Trapeze (Film, US, Carol Reed, 1956) Injured trapeze artist (Burt Lancaster) returns to the rigging to train a promising protege (Tony Curtis), but a fame-starved performer (Gina Lollobrigida) comes between them. Briskly staged Technicolor circus melodrama with noirish undertones. DramaSystem players might take note of how economically it resolves its many dramatic petitions, stacking them on top of each other in quick succession.—RDL
The Unknown Man of Shandigor (Film, Switzerland, Jean-Louis Roy, 1967) Teams of spies violently vie for possession of a nuke-neutralizing device designed by a misanthropic scientist (Daniel Emilfork.) Bold compositions resonate with semiotic fatalism in this deconstructed spy spoof. Serge Gainsbourg appears as a chic French spymaster and sings his composition “Bye Bye Mister Spy.”—RDL
Good
Merry Little Batman (Film, US, Mike Roth, 2023) When Bruce Wayne (Luke Wilson) gets called out of Gotham, his son Damian (Yonas Kibreab) is left home alone—and prey to the Joker’s (David Hornsby) plan! What could have been a simple “Home Alone in Wayne Manor” cartoon leaves that setup behind by Act Three for an ambitious if not fully successful “meaning of Christmas” story. Art designer Guillaume Fesquet’s combo of Tim Burton and Ronald Searle works wonders at keeping cliche material fresh.—KH
Okay
Candy Cane Lane (Film, US, Reginald Hudlin, 2023) Noel-loving neighborhood dad Chris Carver (Eddie Murphy) unwisely makes a deal with a rogue elf (Jillian Bell) to win a Christmas-decorating contest, and madcap hijinks ensue. A baseline acceptable, even wacky, “Christmas is family” movie downright angered me when a Murphy ad lib in the end-credits blooper reel was orders of magnitude funnier and more real than anything I had just watched.—KH
Ken and Robin Consume Media: 30 Coins, Talk to Me, and Classic Folk Horror and Yokai
December 19th, 2023 | Robin
The Pinnacle
30 Coins Season 2 (Television, Spain, HBO Europe, Álex de la Iglesia, 2023) Scattered, in hiding, on the run, interned—or, in the case of Father Vergara (Eduard Fernández), literally in Hell—the people of Pedraza race to investigate a world-ending conspiracy led by a smug billionaire (Paul Giamatti) with eldritch inclinations. Sly, thrilling, epic in sweep, and unrelentingly paced, this is the biggest and most fully realized tribute to horror roleplaying ever shot. Anybody can throw in the Necronomicon but you have to be one of us to prominently feature the Chaosium elder sign.—RDL
Recommended
The Blood on Satan’s Claw (Film, UK, Piers Haggard, 1971) A plowman accidentally unearths a demon’s corpse, provoking a plague of possession and murder in an 18th century English farm community. Influential folk horror depicts Satanic activity as an eruption of illogic, creating unease by forgoing a clear protagonist and cause-and-effect scene transitions.—RDL
The Donut King (Film, US, Alice Gu, 2020) Documentary profiles Ted Ngoy, the refugee who built an L..A. area donut store chain and brokered the dominance of the Cambodian community over the city’s glazed treat market. Riveting as cultural, food, and business history, but most of all as a gobsmacking rags to riches to rags story.—RDL
Spooky Warfare (Film, Japan, Yoshiyuki Kuroda, 1968) When a blood-drinking Babylonian demon kills and impersonates a virtuous samurai magistrate, offended local spirits, including a kappa, a rokurokubi, and a Kasa-obake, team up to stop him. For a goofy tokusatsu flick, this goes surprisingly hard, with gore, murders, and a pretty scary enemy monster. Also known as Yokai Monsters: Spook Warfare and The Great Yokai War.—RDL
Talk to Me (Film, Australia, Danny and Michael Philippou, 2023) Grieving teen Mia (Sophie Wilde) attends a house party where the kids use a severed embalmed hand to conjure spirits into themselves. What could have been a rote “stay off drugs kids” story instead shows a convincingly callous teen subculture and always chooses the worse (and hence scarier and better) path, to terrific effect. But seriously, kids, stay off the severed embalmed hand conjuring. —KH
Violent Night (Film, US, Tommy Wirkola, 2022) Drunk, disillusioned Santa Claus (David Harbour) reconnects with his warrior past, and the spirit of the season, when mercenaries invade a house he’s visiting. Hard to think who other than Wirkola could do a slapstick gore fest that also hits all the beats of a heartwarming Santa movie.—RDL
Good
Indiana Jones and the Dial of Destiny (Film, US; James Mangold, 2023) A larcenous god-daughter (Phoebe Waller-Bridge) drags a retirement-age Indy (Harrison Ford) on the hunt for a relic of Archimedes, with a Nazi rocket scientist (Mads Mikkelsen) in murderous pursuit. The script cleverly assembles the elements of the franchise, but the execution of the action sequences shows just how heavily it relied on Spielberg’s unparalleled flair for staging, composition and timing.—RDL
She Will (Film, UK, Charlotte Colbert, 2022) Ferociously guarded actress (Alice Krige) recuperates from cancer surgery at a New Agey retreat in the Scottish woods, developing a connection with the ashes of the witch trial victims who were burned there. Feminist weird tale maintains an intellectual distance from its protagonist and her dilemma, if she can be said to have one.—RDL
Okay
The Witch Part 2: The Other One (Film, South Korea, Park Hoon-Jung, 2022) Another experimental subject of the Witch supersoldier program (Cynthia) escapes an attack on her facility and takes refuge with siblings resisting gangland pressure to sell their childhood home. Lazily written sequel introduces a new, dull, passive protagonist but maintains the standard for fun, gory superfights.—RDL
Ken and Robin Consume Media: High School Fight Club, Twisted Apparitions, and the Plot Against Hitler
December 6th, 2023 | Robin
Ken and Robin Consume Media is brought to you by the discriminating and good-looking backers of the Ken and Robin Talk About Stuff Patreon. Each week we provide capsule reviews of the books, movies, TV seasons and more we cram into our hyper-analytical sensoriums. Join the Patreon to help pick the items we’ll talk about in greater depth on a little podcast segment we like to call Tell Me More.
Recommended
Bottoms (Film, US, Emma Seligmann, 2023) Anarchy reigns when gay but nonetheless unpopular high school besties (Rachel Sennott, Ayo Edebiri) looking for a pretext to talk to their crushes set up a self defense club. Outrageous teen comedy escalates to a truly bonkers conclusion. I hope someone is writing more comedies around Edebiri‘s brilliant minor key comic timing.—RDL
Finders Keepers: A Tale of Archaeological Plunder and Obsession (Nonfiction, Craig Childs, 2010) Profiling archaeologists, curators, collectors, dealers and plunderers, Childs considers the surprisingly complex question of where artifacts belong, who ought to possess them, and whether they should be left in the ground. A compelling voice gives narrative direction to a topic that in most other hands would be as dusty as a roadside pot sherd.—RDL
Hôtel du Nord (Film, France, Marcel Carné, 1938) Passionate young woman (Renée) checks into a modest hotel to complete a suicide pact with her boyfriend (Jean-Pierre Aumont) but is then drawn into the community of its residents and staff. Lyrical ensemble drama pits romantic fatalism against the joys of living.—RDL
Huesera: the Bone Woman (Film, Mexico, Michelle Garza Cervera, 2023) Pregnant furniture maker with a wild past (Natalia Solián) spirals into despair when she is plagued by apparitions of horrifically twisted female bodies. Unnerving character-driven horror draws on the fear of motherhood.—RDL
The Pez Outlaw (Film, US, Amy and Brian Storkel, 2022) Documentary retells the story of Steve Glew, who in the 90s became a thorn in the side to the American branch of the Pez candy dispenser empire with gray market imports of back-doored product from Eastern European factories. Wry caper elements float over darker hints of the mental health implications of obsessive collector culture.—RDL
The Possessed (Film, Italy, Luigi Bazzoni & Franco Rossellini, 1965) Novelist checking into an off-season hotel discovers that the maid he yearns for died under mysterious circumstances. Dreams and imaginings stand in for clues in this austere, arty mystery.—RDL
Valkyrie (Film, US/Germany, Bryan Singer, 2008) Col. Claus von Stauffenberg (Tom Cruise) joins a plot against Hitler and takes it over by force of personality. By emphasizing the larger conspiracy around the bomb plot, Singer turns the story into a high-tension political thriller while uncomfortably highlighting the need for ruthlessness even for the best of ends. Terence Stamp and Bill Nighy superbly play Generals Beck and Olbricht as model and foil to Cruise, respectively. —KH
Ken and Robin Consume Media: Elizabeth Hand’s Hell House Sequel, Please Don’t Destroy, Quiz Lady
November 28th, 2023 | Robin
Ken and Robin Consume Media is brought to you by the discriminating and good-looking backers of the Ken and Robin Talk About Stuff Patreon. Each week we provide capsule reviews of the books, movies, TV seasons and more we cram into our hyper-analytical sensoriums. Join the Patreon to help pick the items we’ll talk about in greater depth on a little podcast segment we like to call Tell Me More.
Recommended
Black Sheep (Film, US, Allan Dwan, 1935) Suave gambler (Edmund Lowe) and kicky actress (Claire Trevor) team up to rescue a swell young fellow from the clutches of a predatory jewel thief. Effervescent shipboard con artist comedy.—RDL
Christine (Film, US, Antonio Campos, 2016) Troubled local TV news reporter (Rebecca Hall) spirals as her drive to succeed collides with her inability to read and interact successfully with her colleagues. Hall gives a precise and heartbreaking performance in this evocative character portrait docudrama.—RDL
A Haunting on the Hill (Fiction, Elizabeth Hand, 2023) Playwright Holly Sherwin rents the empty Hill House with her cast and tech designer to workshop her new witch-trial play, adapted from a Jacobean original, in this (estate-approved) sequel to Shirley Jackson’s Pinnacle novel. Hand was never going to equal the greatest horror novel of all time, so she writes a different story about human frailty colliding with the unnatural, rich in metafiction, drama, and “I just can’t read this next part” dread. It’s not a remake or even a cover version, and it’s barely even a sequel, but it’s another deeply satisfying (and horripilating) Elizabeth Hand novel. —KH
Madame Freedom (Film, South Korea, Hyeong-mo Han, 1956) Reserved woman (Jeong-rim Kim) stifled by her self-centered wet blanket husband (Am Park) falls into the arms of a young jazz fan neighbor and a wealthy politician. Subtly drawn domestic drama of yearning for more in an age of modernization.—RDL
Please Don’t Destroy: the Treasure of Foggy Mountain (Film, US, Paul Briganti, 2023) Underachieving sporting goods retailers (Martin Herlihy, John Higgins, Ben Marshall) test their childhood friendship when they discover a legendary artifact and must defend it from disaffected park rangers (Megan Stalter, X Mayo) and a purple-clad cult leader (Bowen Yang.) Joke-packed, loopy comedy updates the SNL movie to the kindly mores of the cozy generation.—RDL
Quiz Lady (Film, US, Jessica Yu, 2023) When loan sharks kidnap her dog, a repressed accountant (Awkwafina) gives in to the urgings of her voluble train wreck older sister (Sandra Oh) and auditions to become a contestant on the quiz show that has obsessed her since childhood. Smart, affectionate buddy comedy flips expectations on who will play which side of the mythic Felix/Oscar opposition.—RDL
Okay
The Devil is a Sissy (Film, W.S. Van Dyke & Rowland Brown, 1936) English boy (Freddie Bartholomew) enrolls in a tough NYC school and falls in with budding delinquents (Mickey Rooney, Jackie Cooper.) Strongly characterized comedy-drama seeks social responsibility but winds up showing that we prefer our onscreen rogues unreformed.—RDL
Ken and Robin Consume Media: A Killer, An Antimemetic World-Slayer, and Belle Epoque Investigations
November 21st, 2023 | Robin
Ken and Robin Consume Media is brought to you by the discriminating and good-looking backers of the Ken and Robin Talk About Stuff Patreon. Each week we provide capsule reviews of the books, movies, TV seasons and more we cram into our hyper-analytical sensoriums. Join the Patreon to help pick the items we’ll talk about in greater depth on a little podcast segment we like to call Tell Me More.
Recommended
In Which We Serve (Film, UK, Noel Coward & David Lean, 1942) Clinging to a life raft and periodically strafed by German planes, the captain (Noel Coward) and other crew members of the sinking destroyer Torrin recall the role it played in their lives since the beginning of the war. Coward plays against his bon vivant persona as a wholly admirable naval officer in this stirring achievement in British wartime propaganda.—RDL
The Forbidden Photos of a Lady Above Suspicion (Film, Italy, Luciano Ercoli, 1970) A chilling encounter with a spear-cane wielding blackmailer (Simón Andreu) leaves an ennui-ridden woman (Dagmar Lassander) thinking that her driven businessman husband (Pier Paolo Capponi) is a murderer. Giallo without gore killings exerts a strange hold despite its plot absurdities, in part via the stylish unease of its Ennio Morricone score.—RDL
The Killer (Film, US, David Fincher, 2023) Hit man (Michael Fassbender) who obsesses about process repeatedly finds himself improvising as his process hits the skids of unpredictable humanity. On one level a (perfectionist) film about a professional, on another a wry self-examination by a process-obsessed director. Its leitmotif of the killer concealed within (or emergent from) a commercial monoculture of sitcoms, gig work, and global branding seems almost beside the point. —KH
The Law According to Lidia Poët Season 1 (Television, Italy, Netflix, Guido Iuculano & Davide Orsini, 2023) In 1883 Turin, a law school grad who is forbidden to enter the courtroom (Matilda De Angelis) solves murders, aided by her stuffy attorney brother (Pier Luigi Pasino) and a handsome journalist (Eduardo Scarpetta.) De Angelis smolders with smarts, glamor and barely contained rage in a lavishly mounted historical case-of-the-week mystery show. YKRPG fans will appreciate its Belle Époque (or stile floreale if you insist) decor and costumes, particularly in the episode featuring spiritualism and a sinister masked ball.—RDL
Skinamarink (Film, Canada, Kyle Edward Ball, 2023) Preschool siblings wake up in the middle of the night to find their home transformed by an otherworldly incursion. Trance-inducing experimental horror, where figures appear dimly or obliquely when they occupy the screen at all, owes more to Stan Brakhage than it does to Tod Browning or John Carpenter. If you’re not on its wavelength after 15-20 minutes, know that it is going to stick with its aesthetic all the way through.—RDL
There Is No Antimemetics Division (Fiction, qntm, 2021) Marion Wheeler, the head of the SCP Foundation’s Antimemetics Division, battles an antimemetic world-killer in a series of layered, interrelated short narratives. Qntm takes a great spec-fic high concept and rings plenty of clever changes on it, while continuously raising the stakes from Clancyesque competence porn to Lovecraftian apocalypse. Mandatory reading for Madness Dossier GMs. —KH
Good
Unthinkable: An Extraordinary Journey Through the World’s Strangest Brains (Nonfiction, Helen Thomson, 2018) Journalist visits people who live with such rare neurological conditions as mirror neuron synesthesia, clinical lycanthropy, and Cotard’s syndrome, whose sufferers believe that they have died. An eye-opening look at anomalies of the brain, padded with the anodyne anecdotes pop science editors insist on.—RDL
Satan’s Slaves: Communion (Film, Indonesia, Joko Anwar, 2022) Four years after their first brush with demons summoned by an infernal pact, a family faces a new incursion from beyond—this time, in a flood-threatened Jakarta housing project. The creepy slow burn plays more strongly than the conclusion in a second installment that establishes the series’ core evil as emanating from the sins of the Suharto regime .—RDL
Okay
The Medium (Film, Thailand, Banjong Pisanthanakun, 2021) Shaman discovers that her niece has been possessed by a malign entity. Pseudodocumentary is at its most interesting early on, transposing the tropes of the exorcism subgenre to the animist Isan culture, before it revs up into standard scare stuff.—RDL
Ken and Robin Consume Media: Loki, The Killer, and Telephonic Time Travel
November 14th, 2023 | Robin
Ken and Robin Consume Media is brought to you by the discriminating and good-looking backers of the Ken and Robin Talk About Stuff Patreon. Each week we provide capsule reviews of the books, movies, TV seasons and more we cram into our hyper-analytical sensoriums. Join the Patreon to help pick the items we’ll talk about in greater depth on a little podcast segment we like to call Tell Me More.
Recommended
Gaslit (Television, US, Robbie Pickering, 2022) Backwash from the Watergate break-in engulfs the lives of pill-popping grande dame Martha Mitchell (Julia Roberts), her attorney general husband John Mitchell (Sean Penn), aspiring flunky John Dean (Dan Stevens), and extremist nutball black bagger G. Gordon Liddy (Shea Whigham.) Wry retelling of America’s most entertaining mega-scandal captures its mix of absurdity and danger.—RDL
The Killer (Film. US, David Fincher, 2023) Nondescript assassin (Michael Fassbender) reminds himself of his dedication to icy indifference as he pursues his pursuers after a hit gone wrong. Beige, ultra-controlled fable of perfectionism under threat is Fincher’s most personal film to date.—RDL
Loki Season 2 (Television, US, Disney+, Eric Martin, 2023) Loki and his TVA pals struggle to prevent a time explosion that threatens to destroy the multiverse. Although the characters spend the season tackling a single obstacle, in a budget-conscious season mostly occurring on existing sets, the excitingly executed and genuinely conclusive ending justifies much.—RDL
Mad God (Film, US, Phil Tippett, 2021) A soldier undertakes a mission in a post-industrial hell of production, consumption, and destruction. Stop motion predominates in a mixed media animated journey through a goopy, repellent landscape invoking Giger and Bosch. —RDL
Mark Antony (Film, India, Adhik Ravichandran, 2023) Honest mechanic (Vishal) uses a phone that can make calls to the past to discover the truth about his hated gangster father and his ex-partner (S. J. Suryah), now our hero’s surrogate dad. Energetic action comedy science fiction musical features both leads in dual roles, and also a snake howitzer.—RDL
Okay
Secrets in the Hot Spring (Film, Taiwan, Kuan-Hui Lin, 2018) With a pair of unwelcome classmates in tow, a punch-happy high schooler visits his grandparents at their tourist hotel, finding it not only run down but also haunted. If you want to see what a Chinese ghost comedy looks like these days, here you go.—RDL
Ken was on the road this week.
Ken and Robin Consume Media: Only Murders in the Building, The Fall of the House of Usher, and Every Miss Marple Novel
November 7th, 2023 | Robin
Recommended
Common Wealth (Film, Spain, Álex de la Iglesia, 2000) Stifled realtor (Carmen Maura) tries to get a hoard of cash found in the apartment of a dead shut-in past the rapacious neighbors who have been waiting for years to steal it. Suspenseful black comedy takes a more gradual trip to chaos town than your typical Iglesia outing.—RDL
Every Miss Marple Novel (Fiction, Agatha Christie, 1930-1976) Busybody spinster Jane Marple combines thorough (and pessimistic) knowledge of human nature with a fine logical mind to solve a dozen murders in Christie’s best series by far. Although a few of the early novels suffer from Christie’s fondness for misdirection and minutiae, her decision to hinge Marple’s successes on human nature meant that Dame Agatha had to actually depict human characters in these. The later Marples (especially A Caribbean Mystery and its sequel Nemesis) show real ingenuity in approach, as well. —KH
Hidden Blade (Film, China, Er Cheng, 2023) Enigmatic Secret Service head for the wartime Chinese puppet government under Japanese occupation (Tony Leung Chiu Wai) plays a double game. Fragmented, recursive historical spy drama staged with tripwire stillness..—RDL
Mr. Dressup: The Magic of Make Believe (Film, Canada, Robert McCallum, 2023) Retrospective arts documentary celebrates the legacy of childrens’ TV host Ernie Coombs, aka the tirelessly affirming and gentle master of crafts and costumes, Mr. Dressup. Probably means nothing to you if you aren’t of the several generations of Canadians who grew up on his show, but if you did, get ready for crashing waves of deep nostalgia. And of course some absolutely devastating emotional material at the end.—RDL
Only Murders in the Building Season 3 (Television, US, Hulu/Disney+, Steve Martin & John Hoffman, 2023) When the star (Paul Rudd) of Oliver’s (Martin Short) shot at Broadway redemption is murdered, Mabel (Selena Gomez) starts an investigation, leaving Charles (Steve Martin) to choose between his role in the play and his duties as true crime podcaster. A shift to backstage mystery not only affords the opportunity to bring Meryl Streep in for an extended guest role, but also provides a fresh setting for the show’s exploration of loneliness and comradeship.—RDL
Not Recommended
The Fall of the House of Usher (Television, US, Netflix, Mike Flanagan, 2023) Opioid magnate Roderick Usher (Bruce Greenwood) confesses at length to the strange series of labyrinthine events that led to the deaths of his entire family. The heavily telegraphed wedging together of Poe’s most famous stories might work in a campy tongue-in-cheek way, but Flanagan is deadly serious and utterly loathes his ensemble of protagonists.—RDL
