Abraham Lincoln

Ken and Robin Consume Media: Crime, Guilt and Troglodytes

February 7th, 2017 | Robin

Ken and Robin Consume Media is brought to you by the discriminating and good-looking backers of the Ken and Robin Talk About Stuff Patreon. Each week we provide capsule reviews of the books, movies, TV seasons and more we cram into our hyper-analytical sensoriums. Join the Patreon to help pick the items we’ll talk about in greater depth on our new podcast segment, Tell Me More.

The Pinnacle

Manchester By the Sea (Film, US, Kenneth Lonergan, 2016) After his brother dies, a closed-off custodian (Casey Affleck) discovers he’s been appointed guardian of his teenage nephew, which would require him to move back to the town that suffocates him with the guilt of his tragic past. Powerfully rendered drama without a frame of sentimental fakery.—RDL


3 Story: The Secret History of the Giant Man (Comics, Matt Kindt, 2009) The stories of the “World’s Tallest Man” told (in Kindt’s loose watercolor) by his mother, wife, and daughter — including his brief career with the CIA. The result is a weird cross between Roald Dahl and Graham Greene. –KH

Black Dahlia (Comics, Rick Geary, 2016) The latest in Geary’s precise, controlled evocations of famous crimes reconstructs Elizabeth Short’s life and the investigation of her death. While the words give “just the facts,” Geary’s art bursts with life and emotion. –KH

Bone Tomahawk (Film, US, S. Craig Zahler, 2015) When troglodytes abduct a woman (Lili Simmons) and a deputy from the town jail, her injured husband (Patrick Wilson), a taciturn sheriff (Kurt Russell), an arrogant Indian killer (Matthew Fox) and a talkative old-timer (Richard Jenkins) head into the wilderness to effect a rescue. Nerdtroped men-on-a-mission Western ably combines, in a sentence I do not believe I am writing, Charles Portis-style dialogue and cannibal horror.—RDL

Very Semi-Serious (Film, US, Leah Wolchok, 2015) Documentary profiles Bob Mankoff, cartoon editor of The New Yorker, and its roster of cartoonists, from still-active nonagenarian George Booth to the latest up-and-comers. Informative look inside the creative and professional process of the nichiest of niche markets.—RDL


The Book of Negroes (TV mini-series, Canada, Clement Virgo, 2015) Former slave Aminata Diallo (Aunjanue Ellis) recounts the events of her life, from capture as a child in Africa, to servitude in the US south and quasi-freedom in New York City and Nova Scotia, to a group of English abolitionists. Solid if inevitably softened adaptation of the Lawrence Hill novel, which you may know by its former US title, Somebody Knows My Name.—RDL


A Little Chaos (Film, UK, Alan Rickman, 2014) A woman working in the man’s field of landscape architecture (Kate Winslet) gets a rare opportunity to design an innovative fountain for Louis XIV (Alan Rickman) at Versailles. Although this period drama’s unfocused script fails to properly establish and develop the protagonist’s dramatic conflict, it does turn suddenly magical whenever Winslet and Rickman share a scene together.—RDL

Not Recommended

The Courtesan and the Gigolo: The Murders in the Rue Montaigne and the Dark Side of Empire in Nineteenth-Century Paris (Nonfiction, Aaron Freundschuh, 2017) Account of a sensational 1887 murder trial that sent a handsome foreigner to the guillotine, probably unjustly, for the murder of a prosperous demimondaine. Awkward hybrid of historical true crime and boilerplate academic analysis.—RDL

One Response to “Ken and Robin Consume Media: Crime, Guilt and Troglodytes”

  1. Have you guys ever tried Mercedes Lackey?

Leave a Reply

Your email address will not be published. Required fields are marked *

Film Cannister
Cartoon Rocket
Flying Clock
Film Cannister