Abraham Lincoln

Ken and Robin Consume Media: Moon Knight, Picard, and a Javelin-Throwing Cary Grant

May 10th, 2022 | Robin

Ken and Robin Consume Media is brought to you by the discriminating and good-looking backers of the Ken and Robin Talk About Stuff Patreon. Each week we provide capsule reviews of the books, movies, TV seasons and more we cram into our hyper-analytical sensoriums. Join the Patreon to help pick the items we’ll talk about in greater depth on a little podcast segment we like to call Tell Me More.


Blondie Johnson (Film, US, Ray Enright, 1933) Desperate for a break, an unemployed gal (Joan Blondell) uses her smarts to rise in the ranks as a gangster consigliere, keeping the less bright accomplice she loves (Chester Morris) at arm’s length. Peppy crime drama lightly gender-flips the Warners gangster structure.—RDL

This is the Night (Film, US, Frank Tuttle, 1932) To defuse the jealousies of his lover’s javelin-throwing husband (Cary Grant), a put-upon sophisticate (Roland Young) hires a desperate young woman (Lila Damita) to pose as his wife for the duration of a trip to Venice, Droll farce given further oomph by a scene-stealing Charles Ruggles as our hero’s enabler and rival.—RDL


The Bandit (Film, Italy, Alberto Lattuada, 1946) With his old life shattered, a POW returned from Austria (Amedeo Nazzari) becomes the lover of a hard-bitten criminal (Anna Magnani), assembling a robbery gang from the ranks of her hangers-on. Combines the arc of the gangster film, the stark, expressionist visuals of film noir, and, unfortunately, the shameless sentimentality of neo-Realism.—RDL


Moon Knight Season 1 (Television, US, Disney+, Jeremy Slater, 2022) Meek Londoner Steven Grant (Oscar Isaac) discovers that he is also American mercenary Marc Spector, who is also the superhero Moon Knight and a servant of an Egyptian god, and that the god’s previous host (Ethan Hawke) has a plan to destroy the world’s potential sinners. Once again for MCU TV, a winning performance and characterization builds to a disappointing conclusion.—RDL

Picard Season 2 (Television, US, Paramount+, Terry Matalas, 2022) An encounter with strange new Borg prompts Q to send Jean-Luc (Patrick Stewart) and his newfound crew to 2024 to prevent the emergence of the darkest timeline. A freeway pile-up of colliding homages to iconic Trek episodes epitomizes the crisis of referentiality rippling across the geek franchise space—RDL

Ken has been consuming carnitas in Texas.

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