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Posts Tagged ‘Ken and Robin Consume Media’

Ken and Robin Consume Media: The Devil in Folklore and Folklore in Horror

January 16th, 2024 | Robin

Ken and Robin Consume Media is brought to you by the discriminating and good-looking backers of the Ken and Robin Talk About Stuff Patreon. Each week we provide capsule reviews of the books, movies, TV seasons and more we cram into our hyper-analytical sensoriums. Join the Patreon to help pick the items we’ll talk about in greater depth on a little podcast segment we like to call Tell Me More.

Recommended

Cloven Country: the Devil and the English Landscape (Nonfiction, Jeremy Harte, 2022) Starting in the 16th century English folktales explaining unusual landscape features underwent a switch, substituting a comic, thwartable Devil for the giants and fairies that previously starred in them. In a scholarly but wry and accessible voice, Harte comprehensively rounds these up, abjuring the temptation to theorize a grand cause for the shift and then bend the evidence to fit.—RDL

Ladies in Retirement (Film, US, Charles Vidor, 1941) Staid companion/housekeeper (Ida Lupino) to a fussy former actress (Isobel Elsom) resorts to desperate measures to keep her chaotic, mentally ill sisters (Elsa Lanchester, Edith Barrett) housed with her. Expressionistic Victorian-set gothic based on an English murder play.—RDL

No Hard Feelings (Film, US, Gene Stupnitsky. 2023) In danger of being priced out of her own home town and needing a vehicle to make her summer nut as an Uber driver, a beleaguered townie (Jennifer Lawrence) accepts an offer from worried rich parents (Matthew Broderick, Laura Benanti) to relieve their introverted son (Andrew Barth Feldman.) Reaffirms the heartfelt raunchy comedy as the last vestige of realistic characterization in mainstream movies, with a healthy dollop of class awareness and something of a Mike Nichols vibe.—RDL

Woodlands Dark and Days Bewitched: A History of Folk Horror (Film, US, Kier-La Janisse, 2021) The resurgent horror sub-genre gets a comprehensive, international and pancultural survey from critics and filmmakers. Long but meant to be consumed in chapter-length chunks, this will have you scrambling to JustWatch to see which obscure 70s British TV dramas are available for streaming in your region.—RDL

Good

The Black Report  (Fillm, Japan, Yasuzô Masumura, 1963) Cops and prosecutors confront bribes and perjury in the case of a murdered, philandering CEO. Cynical courtroom drama beats Dick Wolf to the Law & Order structure by 30 years.—RDL

Okay

Sakra (Film, China/HK, Donnie Yen) Stalwart leader of a Song Dynasty bandit gang (Donnie Yen) battles his own allies when he is framed for the murders of his parents and a subordinate. Setup for a franchise fails to untangle a convoluted plot it has presumably inherited from its wuxia source novel.—RDL

Ken and Robin Talk About Stuff: Poor Things, Ferrari, Silent Night

January 9th, 2024 | Robin

Ken and Robin Consume Media is brought to you by the discriminating and good-looking backers of the Ken and Robin Talk About Stuff Patreon. Each week we provide capsule reviews of the books, movies, TV seasons and more we cram into our hyper-analytical sensoriums. Join the Patreon to help pick the items we’ll talk about in greater depth on a little podcast segment we like to call Tell Me More.

The Pinnacle

Poor Things (Film, UK, Yorgos Lanthimos, 2023) Over the misgivings of the weird scientist (Willem Dafoe) who reanimated her, a sheltered woman (Emma Stone) whose brain has yet to catch up with her body elects to see the world with a vain cad (Mark Ruffalo) as her guide. Frankenstein motifs come out to play in a satirical art nouveau steampunk fable of innocence and experience wrapped around Stone’s astounding performance.—RDL

Recommended

Blood & Mistletoe: The History of the Druids in Britain (Nonfiction, Ronald Hutton, 2009) After demonstrating with his customary gentle, systematic authority that next to nothing can be conclusively proven about druids, Hutton lays out the various British projections, suppositions and outright fabrications about them that started with a revival of interest in the subject that began in the early modern period. An indispensable politico-aesthetic history of Britain as seen through the lens of a constantly reimagined, bloodthirsty and/or benevolent caste of priests and/or magicians and/or scientists.—RDL

Ferrari (Film, US, Michael Mann, 2023) In 1957, Enzo Ferrari (Adam Driver) may lose his company to deeper-pocketed competitors, and wreck his marriage to Laura (Penélope Cruz) over his infidelity with Lina (Shailene Woodley). Mann unreels the story of what happens when two crises collide in one man, in an unusually internal film for him—even the racing scenes deliberately seem stepped down. Driver and Cruz (of course) play metal and fire off each other wonderfully.—KH

Incredible But True (Film, France, Quentin Dupieux, 2022) Bourgeois couple (Alain Chabat, Léa Drucker) who have a duct in their house that allows one to travel ahead twelve hours in time while also de-ageing by three days are nonplussed to learn that their friend, his boss, has had an electronic penis installed. Droll cautionary tale pays homage to Buñuel.—RDL

Silent Night (Film, US, John Woo, 2023) Rendered mute by the gangsters whose shootout claimed his young son’s life, an ordinary family man transforms himself into a traumatized instrument of vengeance. Contrary to the action romp promised by its marketing, this dialogue-free pure cinema subversion of the Death Wish formula is Woo’s darkest film since Bullet in the Head.—RDL

Trapeze (Film, US, Carol Reed, 1956) Injured trapeze artist (Burt Lancaster) returns to the rigging to train a promising protege (Tony Curtis), but a fame-starved performer (Gina Lollobrigida) comes between them. Briskly staged Technicolor circus melodrama with noirish undertones. DramaSystem players might take note of how economically it resolves its many dramatic petitions, stacking them on top of each other in quick succession.—RDL

The Unknown Man of Shandigor (Film, Switzerland, Jean-Louis Roy, 1967) Teams of spies violently vie for possession of a nuke-neutralizing device designed by a misanthropic scientist (Daniel Emilfork.) Bold compositions resonate with semiotic fatalism in this deconstructed spy spoof. Serge Gainsbourg appears as a chic French spymaster and sings his composition “Bye Bye Mister Spy.”—RDL

Good

Merry Little Batman (Film, US, Mike Roth, 2023) When Bruce Wayne (Luke Wilson) gets called out of Gotham, his son Damian (Yonas Kibreab) is left home alone—and prey to the Joker’s (David Hornsby) plan! What could have been a simple “Home Alone in Wayne Manor” cartoon leaves that setup behind by Act Three for an ambitious if not fully successful “meaning of Christmas” story. Art designer Guillaume Fesquet’s combo of Tim Burton and Ronald Searle works wonders at keeping cliche material fresh.—KH

Okay

Candy Cane Lane (Film, US, Reginald Hudlin, 2023) Noel-loving neighborhood dad Chris Carver (Eddie Murphy) unwisely makes a deal with a rogue elf (Jillian Bell) to win a Christmas-decorating contest, and madcap hijinks ensue. A baseline acceptable, even wacky, “Christmas is family” movie downright angered me when a Murphy ad lib in the end-credits blooper reel was orders of magnitude funnier and more real than anything I had just watched.—KH

Ken and Robin Consume Media: 30 Coins, Talk to Me, and Classic Folk Horror and Yokai

December 19th, 2023 | Robin

The Pinnacle

30 Coins Season 2 (Television, Spain, HBO Europe,  Álex de la Iglesia, 2023) Scattered, in hiding, on the run, interned—or, in the case of Father Vergara (Eduard Fernández), literally in Hell—the people of Pedraza race to investigate a world-ending conspiracy led by a smug billionaire (Paul Giamatti) with eldritch inclinations. Sly, thrilling, epic in sweep, and unrelentingly paced, this is the biggest and most fully realized tribute to horror roleplaying ever shot. Anybody can throw in the Necronomicon but you have to be one of us to prominently feature the Chaosium elder sign.—RDL

Recommended

The Blood on Satan’s Claw (Film, UK, Piers Haggard, 1971) A plowman accidentally unearths a demon’s corpse, provoking a plague of possession and murder in an 18th century English farm community. Influential folk horror depicts Satanic activity as an eruption of illogic, creating unease by forgoing a clear protagonist and cause-and-effect scene transitions.—RDL

The Donut King (Film, US, Alice Gu, 2020) Documentary profiles Ted Ngoy, the refugee who built an L..A. area donut store chain and brokered the dominance of the Cambodian community over the city’s glazed treat market. Riveting as cultural, food, and business history, but most of all as a gobsmacking rags to riches to rags story.—RDL

Spooky Warfare (Film, Japan, Yoshiyuki Kuroda, 1968) When a blood-drinking Babylonian demon kills and impersonates a virtuous samurai magistrate, offended local spirits, including a kappa, a rokurokubi, and a Kasa-obake, team up to stop him. For a goofy tokusatsu flick, this goes surprisingly hard, with gore, murders, and a pretty scary enemy monster. Also known as Yokai Monsters: Spook Warfare and The Great Yokai War.—RDL

Talk to Me (Film, Australia, Danny and Michael Philippou, 2023) Grieving teen Mia (Sophie Wilde) attends  a house party where the kids  use a severed embalmed hand to conjure spirits into themselves. What could have been a rote “stay off drugs kids” story instead shows a convincingly callous teen subculture and always chooses the worse (and hence scarier and better) path, to terrific effect. But seriously, kids, stay off the severed embalmed hand conjuring. —KH

Violent Night (Film, US, Tommy Wirkola, 2022) Drunk, disillusioned Santa Claus (David Harbour) reconnects with his warrior past, and the spirit of the season, when mercenaries invade a house he’s visiting. Hard to think who other than Wirkola could do a slapstick gore fest that also hits all the beats of a heartwarming Santa movie.—RDL

Good

Indiana Jones and the Dial of Destiny (Film, US; James Mangold, 2023) A larcenous god-daughter (Phoebe Waller-Bridge) drags a retirement-age Indy (Harrison Ford) on the hunt for a relic of Archimedes, with a Nazi rocket scientist (Mads Mikkelsen) in murderous pursuit. The script cleverly assembles the elements of the franchise, but the execution of the action sequences shows just how heavily it relied on Spielberg’s unparalleled flair for staging, composition and timing.—RDL

She Will (Film, UK, Charlotte Colbert, 2022) Ferociously guarded actress (Alice Krige) recuperates from cancer surgery at a New Agey retreat in the Scottish woods, developing a connection with the ashes of the witch trial victims who were burned there. Feminist weird tale maintains an intellectual distance from its protagonist and her dilemma, if she can be said to have one.—RDL

Okay

The Witch Part 2: The Other One (Film, South Korea, Park Hoon-Jung, 2022) Another experimental subject of the Witch supersoldier program (Cynthia) escapes an attack on her facility and takes refuge with siblings resisting gangland pressure to sell their childhood home. Lazily written sequel introduces a new, dull, passive protagonist but maintains the standard for fun, gory superfights.—RDL

Ken and Robin Consume Media: High School Fight Club, Twisted Apparitions, and the Plot Against Hitler

December 6th, 2023 | Robin

Ken and Robin Consume Media is brought to you by the discriminating and good-looking backers of the Ken and Robin Talk About Stuff Patreon. Each week we provide capsule reviews of the books, movies, TV seasons and more we cram into our hyper-analytical sensoriums. Join the Patreon to help pick the items we’ll talk about in greater depth on a little podcast segment we like to call Tell Me More.

Recommended

Bottoms (Film, US, Emma Seligmann, 2023) Anarchy reigns when gay but nonetheless unpopular high school besties (Rachel Sennott, Ayo Edebiri) looking for a pretext to talk to their crushes set up a self defense club. Outrageous teen comedy escalates to a truly bonkers conclusion. I hope someone is writing more comedies around Edebiri‘s brilliant minor key comic timing.—RDL

Finders Keepers: A Tale of Archaeological Plunder and Obsession (Nonfiction, Craig Childs, 2010) Profiling archaeologists, curators, collectors, dealers and plunderers, Childs considers the surprisingly complex question of where artifacts belong, who ought to possess them, and whether they should be left in the ground. A compelling voice gives narrative direction to a topic that in most other hands would be as dusty as a roadside pot sherd.—RDL

Hôtel du Nord (Film, France, Marcel Carné, 1938) Passionate young woman (Renée) checks into a modest hotel to complete a suicide pact with her boyfriend (Jean-Pierre Aumont) but is then drawn into the community of its residents and staff. Lyrical ensemble drama pits romantic fatalism against the joys of living.—RDL

Huesera: the Bone Woman (Film, Mexico, Michelle Garza Cervera, 2023) Pregnant furniture maker with a wild past (Natalia Solián) spirals into despair when she is plagued by apparitions of horrifically twisted female bodies. Unnerving character-driven horror draws on the fear of motherhood.—RDL

The Pez Outlaw (Film, US, Amy and Brian Storkel, 2022) Documentary retells the story of Steve Glew, who in the 90s became a thorn in the side to the American branch of the Pez candy dispenser empire with gray market imports of back-doored product from Eastern European factories. Wry caper elements float over darker hints of the mental health implications of obsessive collector culture.—RDL

The Possessed (Film, Italy, Luigi Bazzoni & Franco Rossellini, 1965) Novelist checking into an off-season hotel discovers that the maid he yearns for died under mysterious circumstances. Dreams and imaginings stand in for clues in this austere, arty mystery.—RDL

Valkyrie (Film, US/Germany, Bryan Singer, 2008) Col. Claus von Stauffenberg (Tom Cruise) joins a plot against Hitler and takes it over by force of personality. By emphasizing the larger conspiracy around the bomb plot, Singer turns the story into a high-tension political thriller while uncomfortably highlighting the need for ruthlessness even for the best of ends. Terence Stamp and Bill Nighy superbly play Generals Beck and Olbricht as model and foil to Cruise, respectively. —KH

Ken and Robin Consume Media: Elizabeth Hand’s Hell House Sequel, Please Don’t Destroy, Quiz Lady

November 28th, 2023 | Robin

Ken and Robin Consume Media is brought to you by the discriminating and good-looking backers of the Ken and Robin Talk About Stuff Patreon. Each week we provide capsule reviews of the books, movies, TV seasons and more we cram into our hyper-analytical sensoriums. Join the Patreon to help pick the items we’ll talk about in greater depth on a little podcast segment we like to call Tell Me More.

Recommended

Black Sheep (Film, US, Allan Dwan, 1935) Suave gambler (Edmund Lowe) and kicky actress (Claire Trevor) team up to rescue a swell young fellow from the clutches of a predatory jewel thief. Effervescent shipboard con artist comedy.—RDL

Christine (Film, US, Antonio Campos, 2016) Troubled local TV news reporter (Rebecca Hall) spirals as her drive to succeed collides with her inability to read and interact successfully with her colleagues. Hall gives a precise and heartbreaking performance in this evocative character portrait docudrama.—RDL

A Haunting on the Hill (Fiction, Elizabeth Hand, 2023) Playwright Holly Sherwin rents the empty Hill House with her cast and tech designer to workshop her new witch-trial play, adapted from a Jacobean original, in this (estate-approved) sequel to Shirley Jackson’s Pinnacle novel. Hand was never going to equal the greatest horror novel of all time, so she writes a different story about human frailty colliding with the unnatural, rich in metafiction, drama, and “I just can’t read this next part” dread. It’s not a remake or even a cover version, and it’s barely even a sequel, but it’s another deeply satisfying (and horripilating) Elizabeth Hand novel. —KH

Madame Freedom (Film, South Korea, Hyeong-mo Han, 1956) Reserved woman (Jeong-rim Kim) stifled by her self-centered wet blanket husband (Am Park) falls into the arms of a young jazz fan neighbor and a wealthy politician. Subtly drawn domestic drama of yearning for more in an age of modernization.—RDL

Please Don’t Destroy: the Treasure of Foggy Mountain (Film, US, Paul Briganti, 2023) Underachieving sporting goods retailers (Martin Herlihy, John Higgins, Ben Marshall) test their childhood friendship when they discover a legendary artifact and must defend it from disaffected park rangers (Megan Stalter, X Mayo) and a purple-clad cult leader (Bowen Yang.) Joke-packed, loopy comedy updates the SNL movie to the kindly mores of the cozy generation.—RDL

Quiz Lady (Film, US, Jessica Yu, 2023) When loan sharks kidnap her dog, a repressed accountant (Awkwafina) gives in to the urgings of her voluble train wreck older sister (Sandra Oh) and auditions to become a contestant on the quiz show that has obsessed her since childhood. Smart, affectionate buddy comedy flips expectations on who will play which side of the mythic Felix/Oscar opposition.—RDL

Okay

The Devil is a Sissy (Film, W.S. Van Dyke & Rowland Brown, 1936) English boy (Freddie Bartholomew) enrolls in a tough NYC school and falls in with budding delinquents (Mickey Rooney, Jackie Cooper.) Strongly characterized comedy-drama seeks social responsibility but winds up showing that we prefer our onscreen rogues unreformed.—RDL

Ken and Robin Consume Media: A Killer, An Antimemetic World-Slayer, and Belle Epoque Investigations

November 21st, 2023 | Robin

Ken and Robin Consume Media is brought to you by the discriminating and good-looking backers of the Ken and Robin Talk About Stuff Patreon. Each week we provide capsule reviews of the books, movies, TV seasons and more we cram into our hyper-analytical sensoriums. Join the Patreon to help pick the items we’ll talk about in greater depth on a little podcast segment we like to call Tell Me More.

Recommended

In Which We Serve (Film, UK, Noel Coward & David Lean, 1942) Clinging to a life raft and periodically strafed by German planes, the captain (Noel Coward) and other crew members of the sinking destroyer Torrin recall the role it played in their lives since the beginning of the war. Coward plays against his bon vivant persona as a wholly admirable naval officer in this stirring achievement in British wartime propaganda.—RDL

The Forbidden Photos of a Lady Above Suspicion (Film, Italy, Luciano Ercoli, 1970) A chilling encounter with a spear-cane wielding blackmailer (Simón Andreu) leaves an ennui-ridden woman (Dagmar Lassander) thinking that her driven businessman husband (Pier Paolo Capponi) is a murderer. Giallo without gore killings exerts a strange hold despite its plot absurdities, in part via the stylish unease of its Ennio Morricone score.—RDL

The Killer (Film, US, David Fincher, 2023) Hit man (Michael Fassbender) who obsesses about process repeatedly finds himself improvising as his process hits the skids of unpredictable humanity. On one level a (perfectionist) film about a professional, on another a wry self-examination by a process-obsessed director. Its leitmotif of the killer concealed within (or emergent from) a commercial monoculture of sitcoms, gig work, and global branding seems almost beside the point. —KH

The Law According to Lidia Poët Season 1 (Television, Italy, Netflix, Guido Iuculano & Davide Orsini, 2023) In 1883 Turin, a law school grad who is forbidden to enter the courtroom (Matilda De Angelis) solves murders, aided by her stuffy attorney brother (Pier Luigi Pasino) and a handsome journalist (Eduardo Scarpetta.) De Angelis smolders with smarts, glamor and barely contained rage in a lavishly mounted historical case-of-the-week mystery show. YKRPG fans will appreciate its Belle Époque (or stile floreale if you insist) decor and costumes, particularly in the episode featuring spiritualism and a sinister masked ball.—RDL

Skinamarink (Film, Canada, Kyle Edward Ball, 2023) Preschool siblings wake up in the middle of the night to find their home transformed by an otherworldly incursion. Trance-inducing experimental horror, where figures appear dimly or obliquely when they occupy the screen at all, owes more to Stan Brakhage than it does to Tod Browning or John Carpenter. If you’re not on its wavelength after 15-20 minutes, know that it is going to stick with its aesthetic all the way through.—RDL

There Is No Antimemetics Division (Fiction, qntm, 2021) Marion Wheeler, the head of the SCP Foundation’s Antimemetics Division, battles an antimemetic world-killer in a series of layered, interrelated short narratives. Qntm takes a great spec-fic high concept and rings plenty of clever changes on it, while continuously raising the stakes from Clancyesque competence porn to Lovecraftian apocalypse. Mandatory reading for Madness Dossier GMs. —KH

Good

Unthinkable: An Extraordinary Journey Through the World’s Strangest Brains (Nonfiction, Helen Thomson, 2018) Journalist visits people who live with such rare neurological conditions as mirror neuron synesthesia, clinical lycanthropy, and Cotard’s syndrome, whose sufferers believe that they have died. An eye-opening look at anomalies of the brain, padded with the anodyne anecdotes pop science editors insist on.—RDL

Satan’s Slaves: Communion (Film, Indonesia, Joko Anwar, 2022) Four years after their first brush with demons summoned by an infernal pact, a family faces a new incursion from beyond—this time, in a flood-threatened Jakarta housing project. The creepy slow burn plays more strongly than the conclusion in a second installment that establishes the series’ core evil as emanating from the sins of the Suharto regime .—RDL

Okay

The Medium (Film, Thailand, Banjong Pisanthanakun, 2021) Shaman discovers that her niece has been possessed by a malign entity. Pseudodocumentary is at its most interesting early on, transposing the tropes of the exorcism subgenre to the animist Isan culture, before it revs up into standard scare stuff.—RDL

Ken and Robin Consume Media: Loki, The Killer, and Telephonic Time Travel

November 14th, 2023 | Robin

Ken and Robin Consume Media is brought to you by the discriminating and good-looking backers of the Ken and Robin Talk About Stuff Patreon. Each week we provide capsule reviews of the books, movies, TV seasons and more we cram into our hyper-analytical sensoriums. Join the Patreon to help pick the items we’ll talk about in greater depth on a little podcast segment we like to call Tell Me More.

Recommended

Gaslit (Television, US, Robbie Pickering, 2022) Backwash from the Watergate break-in engulfs the lives of pill-popping grande dame Martha Mitchell (Julia Roberts), her attorney general husband John Mitchell (Sean Penn), aspiring flunky John Dean (Dan Stevens), and extremist nutball black bagger G. Gordon Liddy (Shea Whigham.) Wry retelling of America’s most entertaining mega-scandal captures its mix of absurdity and danger.—RDL

The Killer (Film. US, David Fincher, 2023) Nondescript assassin (Michael Fassbender) reminds himself of his dedication to icy indifference as he pursues his pursuers after a hit gone wrong. Beige, ultra-controlled fable of perfectionism under threat is Fincher’s most personal film to date.—RDL

Loki Season 2 (Television, US, Disney+, Eric Martin, 2023) Loki and his TVA pals struggle to prevent a time explosion that threatens to destroy the multiverse. Although the characters spend the season tackling a single obstacle, in a budget-conscious season mostly occurring on existing sets, the excitingly executed and genuinely conclusive ending justifies much.—RDL

Mad God (Film, US, Phil Tippett, 2021) A soldier undertakes a mission in a post-industrial hell of production, consumption, and destruction. Stop motion predominates in a mixed media animated journey through a goopy, repellent landscape invoking Giger and Bosch. —RDL

Mark Antony (Film, India, Adhik Ravichandran, 2023) Honest mechanic (Vishal) uses a phone that can make calls to the past to discover the truth about his hated gangster father and his ex-partner (S. J. Suryah), now our hero’s surrogate dad. Energetic action comedy science fiction musical features both leads in dual roles, and also a snake howitzer.—RDL

Okay

Secrets in the Hot Spring (Film, Taiwan, Kuan-Hui Lin, 2018) With a pair of unwelcome classmates in tow, a punch-happy high schooler visits his grandparents at their tourist hotel, finding it not only run down but also haunted. If you want to see what a Chinese ghost comedy looks like these days, here you go.—RDL

Ken was on the road this week.

Ken and Robin Consume Media: Only Murders in the Building, The Fall of the House of Usher, and Every Miss Marple Novel

November 7th, 2023 | Robin

Recommended

Common Wealth (Film, Spain, Álex de la Iglesia, 2000) Stifled realtor (Carmen Maura) tries to get a hoard of cash found in the apartment of a dead shut-in past the rapacious neighbors who have been waiting for years to steal it. Suspenseful black comedy takes a more gradual trip to chaos town than your typical Iglesia outing.—RDL

Every Miss Marple Novel (Fiction, Agatha Christie, 1930-1976) Busybody spinster Jane Marple combines thorough (and pessimistic) knowledge of human nature with a fine logical mind to solve a dozen murders in Christie’s best series by far. Although a few of the early novels suffer from Christie’s fondness for misdirection and minutiae, her decision to hinge Marple’s successes on human nature meant that Dame Agatha had to actually depict human characters in these. The later Marples (especially A Caribbean Mystery and its sequel Nemesis) show real ingenuity in approach, as well. —KH

Hidden Blade (Film, China, Er Cheng, 2023)  Enigmatic Secret Service head for the wartime Chinese puppet government under Japanese occupation (Tony Leung Chiu Wai) plays a double game. Fragmented, recursive historical spy drama staged with tripwire stillness..—RDL

Mr. Dressup: The Magic of Make Believe (Film, Canada, Robert McCallum, 2023) Retrospective arts documentary celebrates the legacy of childrens’ TV host Ernie Coombs, aka the tirelessly affirming and gentle master of crafts and costumes, Mr. Dressup. Probably means nothing to you if you aren’t of the several generations of Canadians who grew up on his show, but if you did, get ready for crashing waves of deep nostalgia. And of course some absolutely devastating emotional material at the end.—RDL

Only Murders in the Building Season 3 (Television, US, Hulu/Disney+, Steve Martin & John Hoffman, 2023) When the star (Paul Rudd) of Oliver’s (Martin Short) shot at Broadway redemption is murdered, Mabel (Selena Gomez) starts an investigation, leaving Charles (Steve Martin) to choose between his role in the play and his duties as true crime podcaster. A shift to backstage mystery not only affords the opportunity to bring Meryl Streep in for an extended guest role, but also provides a fresh setting for the show’s exploration of loneliness and comradeship.—RDL

Not Recommended

The Fall of the House of Usher (Television, US, Netflix, Mike Flanagan, 2023) Opioid magnate Roderick Usher (Bruce Greenwood) confesses at length to the strange series of labyrinthine events that led to the deaths of his entire family. The heavily telegraphed wedging together of Poe’s most famous stories might work in a campy tongue-in-cheek way, but Flanagan is deadly serious and  utterly loathes his ensemble of protagonists.—RDL

Ken and Robin Consume Media: Satanists, Demon Contagion, and a Science Vampire

October 31st, 2023 | Robin

Ken and Robin Consume Media is brought to you by the discriminating and good-looking backers of the Ken and Robin Talk About Stuff Patreon. Each week we provide capsule reviews of the books, movies, TV seasons and more we cram into our hyper-analytical sensoriums. Join the Patreon to help pick the items we’ll talk about in greater depth on a little podcast segment we like to call Tell Me More.

Recommended

El Vampiro Negro (Film, Argentina, Román Viñoly Barreto, 1953) Publicity-fearing nightclub singer (Olga Zubarry) runs afoul of a severe prosecutor (Roberto Escalado) when she declines to assist his hunt for a compulsive child killer (Nathán Pinzón.) Remake of M relegates the killer’s story to a subplot in a film noir tale of shaded morality packed with arresting expressionist imagery.—RDL

Ready or Not (Film, US, Matt Bettinelli-Olpin & Tyler Gillett, 2019) Woman (Samara Weaving) marries into a wealthy family of board game manufacturers, little suspecting that a wedding night tradition gives her a one in thirty chance of being hunted down for Satanic sacrifice. Weaving strikes the requisite balance between resourceful and terrified in this tongue-in-cheek single-location pursuit thriller.—RDL

Roald Dahl Quartet (Films, US, Wes Anderson, 2023) Anderson films four Dahl short stories (“The Wonderful Story of Henry Sugar,” “The Swan,” “The Rat Catcher,” and “Poison”) as literal expressions of story telling, the cast (including Ralph Fiennes as Dahl, Benedict Cumberbatch as Henry Sugar, etc.) narrating the stories right through the fourth wall as the effects and stagehands switch out backdrops, props, etc. Somehow the combination of the completely literal and categorically abstract works, and evokes the same ironic flavor of humor as Dahl’s text. —KH

Thirst (Film, South Korea/US, Park Chan-wook, 2009) Turned into a vampire by an experimental vaccine, priest Sang-hyun (Song Kang-ho) re-enters the life of his childhood sweetheart Tae-ju (Kim Ok-bin) to bad effect. A slowly accelerating burn punctuated by compelling combos of image and music, Thirst is a great vampire film and the weirdest adaptation of an Emile Zola novel you’re ever likely to see. —KH

When Evil Lurks (Film, Argentina, Demián Rugna, 2023) Two brothers who work a farm in a remote area trigger a demonic plague when they help to dump a possessed individual on the site of a rural road. Existentially and viscerally disturbing blend of the contagion and possession sub-genres superimposes cosmic indifference over the spooky Christianity associated with the latter. Its depiction of a pervasive supernatural menace that society has uneasily adjusted to puts it on the film inspiration list for The Yellow King Roleplaying Game: This is Normal Now.—RDL

Good

Blue Hour: The Disappearance of Nick Brandreth (Film, US, Dan Bowhers, 2023) Documentary filmmaker Olivia Brandreth (Morgan DeTogne) investigates the disappearance of her photographer father (Nick Brandreth). Found-footage mockumentary can’t seal the deal with the ending and only occasionally hits the uncanny it endlessly invokes, but Bowhers deserves credit for taking a big conceptual swing. —KH

Dungeons & Dragons: Honor Among Thieves (Film, US, John Francis Daley & Jonathan Goldstein, 2023) Not-entirely-useless bard (Chris Pine) and strong female barbarian (Michelle Rodriguez) break out of prison and seek revenge on their weaselly rogue ex-comrade (Hugh Grant, once more absolutely masticating a villain part). Delightful Forgotten Realms tourism, a zippy fantasy heist, and legitimately funny and clever bits make this easily the best D&D movie, which is not a high bar. It would have been even better if any of its story or character beats had come as a remote surprise of any kind. —KH

Spectral (Film, US, Nic Mathieu, 2016) DARPA weapons researcher (James Badge Dale) embeds with a special forces unit fighting a revanchist insurgency in Moldova to investigate killer skeleton ghosts. If it had a modicum of characterization and an authoritative visual style, this novel mash-up of the war and SF horror genres would rate minor classic status.—RDL

Okay

The Great Magician (Film, Hong Kong, Derek Yee, 2011) Stage magician (Tony Leung Chiu Wai) arrives in 1920s Beijing to save his fiancee from an insecure warlord (Lau Ching Wan.) Leung and Lau give a masterclass in the profundity of movie star action to a colorful comedy that isn’t particularly looking to accommodate emotional depth.—RDL

Ken and Robin Consume Media: Alien Invaders, Outback Noir, and a Curse-Breaking Conspiracy

October 17th, 2023 | Robin

Ken and Robin Consume Media is brought to you by the discriminating and good-looking backers of the Ken and Robin Talk About Stuff Patreon. Each week we provide capsule reviews of the books, movies, TV seasons and more we cram into our hyper-analytical sensoriums. Join the Patreon to help pick the items we’ll talk about in greater depth on a little podcast segment we like to call Tell Me More.

Recommended

Full Circle (Television, US, HBO Max, Ed Solomon & Steven Soderbergh, 2023) To undo a family curse, a Guyanese crime boss (CCH Pounder) orders the kidnapping of a rich couple’s (Claire Danes, Timothy Olyphant) son, enmeshing a rogue postal inspector (Zazie Beetz) and many others in a series of dangerous errors and surprising revelations. Chaos theory ensemble crime drama shot by Soderbergh with a subtly destabilizing immediacy.—RDL

Limbo (Film, Australia, Ivan Sen, 2023) Police investigator Travis Hurley (Simon Baker) arrives at the titular opal-mining outback town to investigate the 20-year-old cold case of an Aboriginal girl’s abduction. Baker’s superb performance and the stark black-and-white cinematography (also by Sen) knit together this elliptical bricolage of noir, Western, policier, and social comment film genres into a powerful whole that does the job of cinema better than virtually anything you will see this year.—KH

No One Will Save You (Film, US, Brian Duffield, 2023) Lonely Etsy seller (Kaitlyn Dever) fights back when sinister gray UFO occupants invade her rural home. Nearly dialogue-free exercise in pure cinema cleverly weaves together disparate alien terror tropes.—RDL

Reptile (Film, US, Grant Singer, 2023) Homicide detective (Benicio del Toro) uncovers a conspiracy while investigating the murder of a callow realtor’s (Justin Timberlake) fiancee. Del Toro steps into a welcome leading role as a pitiless roving camera and ominous soundtrack lend neo-gothic dread to a small town policier.—RDL

Good

Evil Dead Rise (Film, US, Lee Cronin, 2023) In a largely deserted apartment building, a guitar tech (Lily Sullivan) defends her nieces and nephew from their demonically possessed mother (Alyssa Sutherland.) Earns points for moving the franchise to a new urban locale and for exploring deeper characterization, though the horror remits too often in the middle, and the fear of motherhood theme doesn’t really integrate with the gothic teleology of the Evil Dead universe.—RDL

Okay

Foremost by Night (Film, Spain/Portugal/France, Victor Iriarte, 2023) Court reporter Vera (Lola Dueñas) penetrates a baby-snatching conspiracy to find her stolen son Egoz (Manuel Egozkue) and his adoptive mother Cora (Ana Torrent). This film could be Exhibit A in McKee’s “no voiceovers” thesis. Three or four very promising premises founder on the complete absence of conflict, leaving what little drama remains for the actors to emote. That game acting and some intriguingly oblique symbology keep this inert exercise barely at Okay. —KH

Thirteen Women (Film, US, George Archainbaud, 1932) Young widowed socialite (Irene Dunne) and her former finishing school classmates receive messages of doom from an astrologer, which come true thanks to the hypnotic powers of their embittered nemesis (Myrna Loy.) Somewhat perfunctory thriller novel adaptation offers the chance to see Loy in one of her early villain roles. CW: Orientalism.

Film Cannister
Cartoon Rocket
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Flying Clock
Robin
Film Cannister