Episode 311: Live from Gen Con 2018
September 21st, 2018 | Robin
Let’s summon the spirit of summer one last time by hearkening back to a balmy Indianapolis Friday, when Ken and Robin Talk About Stuff live from the surprising new confines of the Lucas Oil stadium at Gen Con. Come for the Nerdtrope cards, come for the incisive questions from our ever-alert audience.
Want to pose a question to the show? Get your priority question asking access with your support for the KARTAS Patreon!
Snag Ken and Robin merchandise at TeePublic.
The White Box is a game design workshop in a box, bursting with inspiring theory and the basic components to turn that theory into playable reality. Brought to you in tandem by Atlas Games and Gameplaywright, it’s the perfect gift for the aspiring game master in your life—who might well be yourself.
Ken’s latest roleplaying game, The Fall of Delta Green, is now available for preorder from Pelgrane Press. Journey to the head-spinning chaos of the late 1960s, back when everyone’s favorite anti-Cthulhu special ops agency hadn’t gone rogue yet, for this pulse-pounding GUMSHOE game of war, covert action, and Mythos horror.
Grab the translated riches of FENIX magazine in a special bundle deal from our friends at Askfageln, over at Indie Press Revolution. Score metric oodles of Ken Hite gaming goodness, a cornucopia of articles, complete games, plus the cartoon antics of Bernard the Barbarian. Warning: in English, not in Swedish. In English, not Swedish.
Just in time to save the world, though perhaps not your team of hardened covert agents, from the Mythos, the Delta Green Handlers Guide from Arc Dream Publishing is now in print and either at or headed to a game store near you. The slipcase print edition includes both the Handlers’ Guide and Agents’ Handbook, fitting snugly into your go bag along with your extra passports and list of weapons caches.
Ken and Robin Consume Media: A Golden-Eyed Vampire and a Predator
September 18th, 2018 | Robin
Ken and Robin Consume Media is brought to you by the discriminating and good-looking backers of the Ken and Robin Talk About Stuff Patreon. Each week we provide capsule reviews of the books, movies, TV seasons and more we cram into our hyper-analytical sensoriums. Join the Patreon to help pick the items we’ll talk about in greater depth on a little podcast segment we like to call Tell Me More.
Robin’s media consumption this week took place at the Toronto International Film Festival. Check out his capsule reviews here. Those reviews will reappear here when titles are released theatrically or on home video.
Recommended
Predator (Film, US, John McTiernan, 1987) Tasked by CIA agent Dillon (Carl Weathers) to enter Nicaragua on an ostensible rescue mission, Special Forces major Dutch (Arnold Schwarzenegger) and his squad also enter the killing ground of an alien trophy hunter. Somehow I never saw this second film of McTiernan’s mind-bogglingly good first four. This one succeeds almost entirely on the back of McTiernan’s assured direction, although both Arnold’s control of his swaggering machismo and of its transformation into animal cunning are underrated. And man, nothing blows up like an 80s Commie base. –KH
Good
Lake of Dracula (Film, Japan, Michio Yamamoto, 1971) Years after suffering a nightmarish vision of a golden-eyed vampire (Mori Kishida), Akiko (Midori Fujita) tries to paint her trauma by the side of a peaceful lake. Combining a Hitchcock-style psychoanalytic thriller with would-be Hammer Films action on a Toho Studios budget, the result comes off slightly disjointed but never boring. Watching it on the splendid, crisp Blu-Ray transfer by Arrow Films is Recommended. –KH
Operation Finale (Film, US, Chris Weitz, 2018) In 1960, Mossad agent Peter Malkin (Oscar Isaac) suffers from survivor’s guilt as he leads a team to kidnap Adolf Eichmann (Ben Kingsley) in Argentina for trial in Israel. The script, based on the memoirs of the real Israeli agents, wisely compresses historical time and offers some tasty dialogue, but doesn’t manage to fully cohere around either a heroic spycraft story a la Argo or a psychological exploration a la Munich. The implicitly promised actors’ duel between Isaac and Kingsley doesn’t quite come off, either. –KH
Not Recommended
In the Quarter (Fiction, Robert W. Chambers, 1894) As his fellow art students roister in Paris, Reginald Gethryn falls for a grisette despite the warnings of his older friend Braith. Lively and true to life in parts, this novel’s mild melodramatic joys do not make it past the two (two!!) stereotyped Jews who serve as the odious cardboard villains. At least Trilby has hypnotism to go with its anti-Semitism; Chambers just has local color, and it’s not even yellow. Some characters from this novel appear in the later stories in The King in Yellow, however. –KH
Episode 310: The Social Media Impact of Ulthar
September 14th, 2018 | Robin
The Gaming Hut makes room for our collection of crystal balls as Patreon backer Rob Towell asks for hints on GMing prophecies and divinations.
The Crime Blotter looks at a rash of highly professional heists targeting relics looted from the Old Summer Palace and held in European museums.
Patreon backer Polydamas asks us to have Fun With Science and the 1920s invasion of sea lampreys into the Great Lakes.
Finally backer Derek Upham visits the Consulting Occultist for a look at artist James Bridle, who has constructed a magic circle to trap self-driving cars.
Want to pose a question to the show? Get your priority question asking access with your support for the KARTAS Patreon!
Snag Ken and Robin merchandise at TeePublic.
The White Box is a game design workshop in a box, bursting with inspiring theory and the basic components to turn that theory into playable reality. Brought to you in tandem by Atlas Games and Gameplaywright, it’s the perfect gift for the aspiring game master in your life—who might well be yourself.
Ken’s latest roleplaying game, The Fall of Delta Green, is now available for preorder from Pelgrane Press. Journey to the head-spinning chaos of the late 1960s, back when everyone’s favorite anti-Cthulhu special ops agency hadn’t gone rogue yet, for this pulse-pounding GUMSHOE game of war, covert action, and Mythos horror.
Grab the translated riches of FENIX magazine in a special bundle deal from our friends at Askfageln, over at Indie Press Revolution. Score metric oodles of Ken Hite gaming goodness, a cornucopia of articles, complete games, plus the cartoon antics of Bernard the Barbarian. Warning: in English, not in Swedish. In English, not Swedish.
Just in time to save the world, though perhaps not your team of hardened covert agents, from the Mythos, the Delta Green Handlers Guide from Arc Dream Publishing is now in print and either at or headed to a game store near you. The slipcase print edition includes both the Handlers’ Guide and Agents’ Handbook, fitting snugly into your go bag along with your extra passports and list of weapons caches.
Ken and Robin Consume Media: Arch Playlets and an Investigating Organist
September 11th, 2018 | Robin
Ken and Robin Consume Media is brought to you by the discriminating and good-looking backers of the Ken and Robin Talk About Stuff Patreon. Each week we provide capsule reviews of the books, movies, TV seasons and more we cram into our hyper-analytical sensoriums. Join the Patreon to help pick the items we’ll talk about in greater depth on a little podcast segment we like to call Tell Me More.
Recommended
Holy Disorders (Fiction, Edmund Crispin, 1945) Organist and composer Geoffrey Vintner faces thugs, infatuation, witches, Nazis, and murder in the cathedral town of Tolnbridge, so it’s a good thing that Gervase Fen is there to eventually solve the case. Notable for Crispin’s echoing (and name-checking) John Dickson Carr, who provides the Gothic bass to Fen’s eccentric treble. Not fully satisfying as a mystery novel, but brilliant and dark like a lightning storm at night. –KH
Nightmares and Nightcaps: The Stories of John Collier (Play, Edward Rutherford, 2018) Louche and haunted narrator (Kevin Webb) introduces six stories by the sly master, including my favorite of Collier’s, “Thus I Refute Beelzy.” Archly played, aiming for sometimes-incompatible creepiness and irony, the playlets can get broad at times privileging denouement over character depth. But the ensemble carries the moment, ably anchored by Webb. –KH [Playing through September 15 at the Athenaeum Theater in Chicago.]
Good
Frequent Hearses (Fiction, Edmund Crispin, 1950) Gervase Fen investigates a murder spree touched off by the suicide of up-and-coming starlet Gloria Scott. Crispin’s own career writing movie scores provides ample and interesting color to this darkish mystery. When Fen disappears from the novel leaving Inspector Humbleby center stage, the narrative slows down and marks time. –KH
Jack Ryan Season 1 (Television, US, Amazon, Carlton Cuse and Graham Roland, 2018) CIA analyst Jack Ryan (John Krasinski) and his boss Jim Greer (Wendell Pierce) uncover a terrorist plot and find themselves thrust into the field to stop it. A solid throughline and confident directing — while nothing spectacular — undergird this fast-moving, basic modern-day thriller that closely replicates the experience of reading Tom Clancy novels. The season’s sole B-plot feels as pointless as it is, but at least it doesn’t take up much of your time. –KH
Rebel: My Life Outside the Lines (Nonfiction, Nick Nolte, 2018) The star of 48 HRS and Affliction details his storied acting career and anxiety-driven battle with various addictions. Sections of ghost writerly research alternate with others that feel like Nolte’s voice.—RDL
Sharp Objects (Television, HBO, Jean-Marc Vallée, 2018) Tailspinning reporter (Amy Adams) returns to her small Missouri town to cover a serial murder case, prompting a dark reckoning with her control-obsessed mother (Patricia Clarkson.) Ethereal imagery, impressionistic editing and committed performances lend realism to a crime novel plot driven by behavior engaged in by no humans ever.—RDL
Okay
Great Directors (Film, UK/France/Italy, Angela Ismailos) Documentarian interviews a roster of directors including Agnes Varda, David Lynch, Stephen Frears, Todd Lynch, Ken Loach and Liliana Cavani, with reverent but unfocused results. Bump up to Good if watched as an unchallenging appetizer to an upcoming 45-movie jaunt to one’s local international film festival.—RDL
Never So Few (Film, US, John Sturges, 1959) When not leading a liaison unit embedded with local Kachin forces in Burma, hardbitten army captain (Frank Sinatra) woos a shadowy profiteer’s worldly girlfriend (Gina Lollobrigida.) Two films with largely unrelated throughlines, a glossy romance and a fatalistic war epic, keep interrupting each other, leaving as the piece’s main virtue Sturges’ mastery of the Cinemascope frame and vivid 50s color palette. Steve McQueen and Charles Bronson appear in early supporting roles.—RDL
Episode 309: Snort the Pringles
September 7th, 2018 | Robin
On the alert for treacherous banana peels, we gather in the Gaming Hut to wonder if GUMSHOE can handle incompetent PCs.
In Ask Ken and Robin, Patreon backer Frank Rafaelson wants Ken to pitch a new edition of Nephilim.
How to Write Good posits that idiot plotting is not just an issue in procedure-heavy narratives. We look at ways to avoid it in dramatic scenes.
Finally, Patreon backer Adam Grotjohn wonders what fell reality Ken’s Time Machine was preventing at the cemetery now known as Lincoln Park in Chicago.
Want to pose a question to the show? Get your priority question asking access with your support for the KARTAS Patreon!
Snag Ken and Robin merchandise at TeePublic.
The White Box is a game design workshop in a box, bursting with inspiring theory and the basic components to turn that theory into playable reality. Brought to you in tandem by Atlas Games and Gameplaywright, it’s the perfect gift for the aspiring game master in your life—who might well be yourself.
Ken’s latest roleplaying game, The Fall of Delta Green, is now available for preorder from Pelgrane Press. Journey to the head-spinning chaos of the late 1960s, back when everyone’s favorite anti-Cthulhu special ops agency hadn’t gone rogue yet, for this pulse-pounding GUMSHOE game of war, covert action, and Mythos horror.
Grab the translated riches of FENIX magazine in a special bundle deal from our friends at Askfageln, over at Indie Press Revolution. Score metric oodles of Ken Hite gaming goodness, a cornucopia of articles, complete games, plus the cartoon antics of Bernard the Barbarian. Warning: in English, not in Swedish. In English, not Swedish.
Just in time to save the world, though perhaps not your team of hardened covert agents, from the Mythos, the Delta Green Handlers Guide from Arc Dream Publishing is now in print and either at or headed to a game store near you. The slipcase print edition includes both the Handlers’ Guide and Agents’ Handbook, fitting snugly into your go bag along with your extra passports and list of weapons caches.
Ken and Robin Consume Media: Neo-Poliziotteschi and Devonshire Rustication
September 4th, 2018 | Robin
Ken and Robin Consume Media is brought to you by the discriminating and good-looking backers of the Ken and Robin Talk About Stuff Patreon. Each week we provide capsule reviews of the books, movies, TV seasons and more we cram into our hyper-analytical sensoriums. Join the Patreon to help pick the items we’ll talk about in greater depth on a little podcast segment we like to call Tell Me More.
Recommended
The Glimpses of the Moon (Fiction, Edmund Crispin, 1977) Rusticating and procrastinating among eccentric neighbors in Devonshire, detective don Gervase Fen pokes into a local case of decapitation and mutilation. Crispin’s last novel was published posthumously, and given that Crispin himself had been rusticating in Devonshire for 20 years and retained his somewhat acidic irony throughout, it’s probably for the best that he escaped his neighbors’ discovery of his opinion of them. Like Crispin’s other works, it’s a classic mystery complete with locked room (or tent) and the occasional Wodehousian detour into minor characters’ manias. –KH
Let the Corpses Tan (Film, France, Helene Cattet & Bruno Forzani) Armored car robbers shoot it out with a motorcycle cop in the ruined seaside villa of an eccentric artist (Elina Lowensohn.) Tribute to 70s Italian poliziotteschi in which every shot is an ostentatiously perfect image further amped by slamming sound design.—RDL, Seen at TIFF ‘17, Now in US theatrical release.
Sami Blood (Film, Sweden, Amanda Kernell, 2016) Sent to a residential school to become Swedish—but not too Swedish—a Sami teenager (Lene Cecilia Sparrok) runs off to the city, hellbent on full assimilation. Social realist drama draws its power from the performance of its young lead, who plays a swirling mix of rage, shame, vulnerability and determination while always ringing true.—RDL
Good
Desperate (Film, US, Anthony Mann, 1947) Young newlyweds go into hiding to escape the vengeance of a grudge-holding warehouse heister (Raymond Burr.) In his first in a classic cycle of crime dramas, Mann applies a heady layer of noir style to a straightforward tale of good pursued by evil.—RDL
Ghost Fleet: A Novel of the Next World War (Fiction, P.W. Singer and August Cole, 2015) In around 2026, China and Russia team up to decapitate America’s tech advantage, and (non-nuclear) war ensues. Technothrillers must contain tech and thrills, and Ghost Fleet contains heaps of both in spades. Cyberwar expert Singer and defense journalist Cole stick to their fields of expertise (and grind a few axes) to good effect, wisely sticking to bold, uncomplicated characters to carry the plentiful action. –KH
The Prime Ministers Who Never Were (Nonfiction, Francis Beckett, ed., 2011) Collection of alternate histories of alternate Prime Ministers running from Austen Chamberlain (leads the Tories out of coalition in 1922) to David Miliband (edges out Gordon Brown for Labour Party leadership in 2007). Although the two WWII-era guys we all want to read about show up (Oswald Mosley comes off, of all things, as more relatable and successful than Lord Halifax), many of the essays repeatedly if understandably alter the Thatcher and Blair eras, reinforcing a rather samey repertory theatre effect. (Nobody likes Peter Mandelson, apparently.) British readers with an ironic political appetite might even Recommend the collection; they will surely get more of the in-jokes than I did. –KH
Psychokinesis (Film, South Korea, Yeon Sang-ho, 2018) Loser security guard tries to use his new telekinetic abilities to reestablish a relationship with the daughter he abandoned, as she battles crooked developers intent on destroying her restaurant and neighboring businesses. Jab at endemic corruption in South Korea disarmingly wrapped as a broad, crowd-pleasing mix of comedy, sentiment and super powered action.—RDL
Episode 308: A Stargate in His District
August 31st, 2018 | Robin
Another all-request episode opens in the familiar confines of the Gaming Hut, where Patreon backer Trung Bui wants to know how we pull out all the stops for climactic campaign-ending episodes.
In the Horror Hut, backer Samwise Crider asks how to incorporate the newly discovered Icelandic and Swedish versions of Bram Stoker’s Dracula into a Dracula Dossier series.
The Cinema Hut hosts another movie 101, this time on the fantasy film, at the command of backer Corey Pierno.
Finally we heed the cries of backer Steve Sick, who bids us enter the Eliptony Hut’s coruscating doorway to talk about Sumerian stargates.
Want to pose a question to the show? Get your priority question asking access with your support for the KARTAS Patreon!
Snag Ken and Robin merchandise at TeePublic.
The White Box is a game design workshop in a box, bursting with inspiring theory and the basic components to turn that theory into playable reality. Brought to you in tandem by Atlas Games and Gameplaywright, it’s the perfect gift for the aspiring game master in your life—who might well be yourself.
Ken’s latest roleplaying game, The Fall of Delta Green, is now available for preorder from Pelgrane Press. Journey to the head-spinning chaos of the late 1960s, back when everyone’s favorite anti-Cthulhu special ops agent hadn’t gone rogue yet, for this pulse-pounding GUMSHOE game of war, covert action, and Mythos horror.
Grab the translated riches of FENIX magazine in a special bundle deal from our friends at Askfageln, over at Indie Press Revolution. Score metric oodles of Ken Hite gaming goodness, a cornucopia of articles, complete games, plus the cartoon antics of Bernard the Barbarian. Warning: in English, not in Swedish. In English, not Swedish.
Just in time to save the world, though perhaps not your team of hardened covert agents, from the Mythos, the Delta Green Handlers Guide from Arc Dream Publishing is now in print and either at or headed to a game store near you. The slipcase print edition includes both the Handlers’ Guide and Agents’ Handbook, fitting snugly into your go bag along with your extra passports and list of weapons caches.
Ken and Robin Consume Media: Hybrid Nomads, Jane Birkin and Loads More Noir
August 28th, 2018 | Robin
Ken and Robin Consume Media is brought to you by the discriminating and good-looking backers of the Ken and Robin Talk About Stuff Patreon. Each week we provide capsule reviews of the books, movies, TV seasons and more we cram into our hyper-analytical sensoriums. Join the Patreon to help pick the items we’ll talk about in greater depth on a little podcast segment we like to call Tell Me More.
Recommended
Keep On Keeping On (Nonfiction, Alan Bennett, 2016) The latest collection of diary entries from lauded playwright Bennett (The Madness of King George, The History Boys) covers 2005-2015, including historic church visits, the perils of privatization, funerals for lost colleagues, crap architectural renovations, bad reviews, aging, and what various birds are up to. The best two anecdotes feature Bennett’s fellow Beyond the Fringe alum Jonathan Miller’s quixotic stands against public urination.—RDL
Jane B. by Agnes V. (Film, France, Agnès Varda, 1988) Deconstructed documentary profile of actress and singer Jane Birkin interweaves quasi-conventional interviews with clips from hypothetical films ranging from a western and an art heist thriller to a Joan of Arc biopic. A visually lush exploration of star charisma from cinema’s most playful formalist.—RDL
Pickup (Film, US, Hugo Haas, 1951) Elderly railroad dispatcher Jan Horak (Haas) meets gold-digger Betty (Beverly Michaels), who plays him for a sap, of course. Or worse, if she can get Horak’s co-worker Steve (Allan Nixon) to do her dirty work. Often derided as a kind of 1950s Russ Meyer, Haas was actually a great actor and director in Prague before the Nazi takeover; both qualities show here in this stark moral fable. Beverly Michaels’ marvelous disdain helps power the film past its Poverty Row budget. –KH
The Scarlet Hour (Film, US, Michael Curtiz, 1956) After overhearing a planned jewel theft, adulterous lovers Marsh (Tom Tryon) and Paulie (Carol Ohmart) plot to hijack it to fund their escape from her husband (James Gregory). Curtiz peppers this capable noir with some simply amazing shots; based on her wonderfully feral performance, Ohmart deserves more fame than she got then or now. Elaine Stritch is only the best of the stalwart supporting players. –KH
The Turning Point (Film, US, William Dieterle, 1952) Naïve crusading special prosecutor John Conroy (Edmond O’Brien) needs help from cynical reporter Jerry McKibbon (William Holden) to bring down racketeer Neil Eichelberger (Ed Begley, Sr.). Superb noir narrative punishes feckless good and ironic detachment, along with the regular sins of corruption and cheating, amidst great LA location shots. Well worth seeing. –KH
Good
Empires of the Silk Road (Nonfiction, Christopher Beckwith, 2009) This enthralling narrative history of Central Eurasia from the proto-Indo-Europeans to the War on Terror fills notable gaps in world historiography, not least by its sympathy with the hybrid nomad-sedentary cultures of the area often libeled as “barbarians.” Beckwith is a Tibetologist and linguist, so while the book is cranky, it is not a crank book. That said, two whole chapters fulminating against Modernism (basically the post-1900 section) stand out as particularly weak regardless of one’s sympathies, and even I know you can’t just posit that Old Chinese began as an Indo-European language and expect to get away with footnoting your own work. –KH
I Was a Shoplifter (Film, US, Charles Lamont, 1950) Judge’s klepto daughter Faye Burton (boring Mona Freeman) gets pinched for shoplifting, drawing her into a ring of thieves headed by Ina Perdue (Andrea King). King runs this movie like she runs her criminal enterprise, with raised eyebrows and clever patter; her sizzling repartee with detective Scott Brady is what the Breen Office should have been concerned with, not the nugatory shoplifting advice. –KH
The Man Who Cheated Himself (Film, US, Felix Feist, 1950) When rich Lois Frazier (Jane Wyatt) kills her husband, her cop boyfriend Ed Cullen (Lee J. Cobb) helps her cover her tracks while his brother (John Dall) investigates the crime. Cobb and Dall and some terrific San Francisco location shots make this film worth watching despite the casting misfire of Wyatt as the femme fatale. –KH
The People Against O’Hara (Film, US, John Sturges, 1951) Shortly after recovering from a stress-related alcoholic breakdown, attorney James Curtayne (Spencer Tracy) takes a murder case defending Johnny O’Hara (James Arness). Despite noirish lensing by John Alton, its domestic subplot lumbers this fully conventional courtroom drama, which gains tension only when it becomes a policier in the last act. Future squire of Gothos William Campbell has a star turn as an improbably Czech hoodlum. –KH
The Spiritualist (Film, US, Bernard Vorhaus, 1948) Pining for her dead husband, Christine Faber (Lynn Bari) proves an easy mark for fake spiritualist Alexis (Turhan Bey). Bey gives good charming weasel, and the script and John Alton’s cinematography go the extra mile despite the limitations of the budget and Bari (cast at literally the last minute). Worth extra notice for genuine magician Harry Mendoza as a detective, and the attention to the details of Alexis’ racket. –KH
Okay
Suspiria (Film, Italy, Dario Argento, 1977) American dancer (Jessica Harper) newly enrolled at a strange German dance academy suspects a malign connection between the murder of her predecessor and various ominous manifestations. Commanding soundtrack and visuals, including a super-saturated color scheme, overshadow a rudimentary script.—RDL
Episode 307: Nobody Wants to Be a Gate
August 24th, 2018 | Robin
Patreon backers, specifically Patreon backer Brian Malcolm, demand yet more dungeon talk from us in the Gaming Hut. How do you lend a dungeon complex a narrative quality, instead of making it a random collection of rooms and fights?
In Ken and/or Robin Talk to Someone Else, Christoph Sapinsky tells us about his new hard SF game Free Spacer, now Kickstarting.
In Ask Ken and Robin, backer David Shaw wonders what would happen if you managed to engrave the Elder Sign on Cthulhu.
Finally backer Hal Mangold asks the Consulting Occultist to review the career of Australian illustrator and wiccan Rosaleen Norton.
Want to pose a question to the show? Get your priority question asking access with your support for the KARTAS Patreon!
Snag Ken and Robin merchandise at TeePublic.
The White Box is a game design workshop in a box, bursting with inspiring theory and the basic components to turn that theory into playable reality. Brought to you in tandem by Atlas Games and Gameplaywright, it’s the perfect gift for the aspiring game master in your life—who might well be yourself.
Ken’s latest roleplaying game, The Fall of Delta Green, is now available for preorder from Pelgrane Press. Journey to the head-spinning chaos of the late 1960s, back when everyone’s favorite anti-Cthulhu special ops agent hadn’t gone rogue yet, for this pulse-pounding GUMSHOE game of war, covert action, and Mythos horror.
Grab the translated riches of FENIX magazine in a special bundle deal from our friends at Askfageln, over at Indie Press Revolution. Score metric oodles of Ken Hite gaming goodness, a cornucopia of articles, complete games, plus the cartoon antics of Bernard the Barbarian. Warning: in English, not in Swedish. In English, not Swedish.
Just in time to save the world, though perhaps not your team of hardened covert agents, from the Mythos, the Delta Green Handlers Guide from Arc Dream Publishing is now in print and either at or headed to a game store near you. The slipcase print edition includes both the Handlers’ Guide and Agents’ Handbook, fitting snugly into your go bag along with your extra passports and list of weapons caches.
Ken and Robin Consume Media Takes a Turn For the Noir
August 21st, 2018 | Robin
Ken and Robin Consume Media is brought to you by the discriminating and good-looking backers of the Ken and Robin Talk About Stuff Patreon. Each week we provide capsule reviews of the books, movies, TV seasons and more we cram into our hyper-analytical sensoriums. Join the Patreon to help pick the items we’ll talk about in greater depth on a little podcast segment we like to call Tell Me More.
Recommended
Conflict (Film, US, Curtis Bernhardt, 1945) In love with her sister, Richard Mason (Humphrey Bogart) murders his wife — or does he? Sydney Greenstreet is the suspicious psychiatrist in this unique role-switch that screws tension and interest to a fever pitch for 98 percent of its length. Bogart plays Mason’s disintegrating self so well that the noir script holes just flit past unremarked. –KH
Devil in a Blue Dress (Film, US, Carl Franklin, 1995) Unemployed black veteran “Easy” Rawlins (Denzel Washington) stumbles into detective work, and into murders, when white fixer Albright (Tom Sizemore) hires him to find the missing Daphne Monet (Jennifer Beals). Excellent transposition of Walter Mosley’s novel to film relies equally on Washington’s intelligence, Tak Fujimoto’s expertly sun-faded camera work, and a manic turn by Don Cheadle as Rawlins’ psycho ace in the hole, “Mouse.” –KH
I Walk Alone (Film, US, Byron Haskin, 1948) Released from prison after fourteen years, gangster Frankie Madison (Burt Lancaster) seeks a reckoning with his old partner Noll Turner (Kirk Douglas), but finds that times have changed. Come for the Lancaster-Douglas showdown, but stay for the jaw-dropping set piece in which Frankie discovers the real crime of business accounting. –KH
Love Education (Film, Taiwan, Sylvia Chang, 2017) After her mother’s death, a stubborn schoolteacher (Sylvia Chang) launches a campaign to relocate her father’s grave, over the objections of his equally indomitable first wife, the ear-grabbing honorary granny of a close-knit rural community. Moving and funny drama with a wry eye for character observation.—RDL
Love Season 2 (Television, Lesley Arfin & Paul Rust & Judd Apatow, 2017) Despite her resolve to keep her distance, and his inability to navigate her boundaries, love addict Mickey (Gillian Jacobs) and awkward Gus circle ever closer to official relationship status. In an era of sophomore slumps, it’s exciting to see a series, especially one so dependent on a keen balance between sharp comedy and real behavior, understand and deliver on what made it great in the first place.—RDL
One False Move (Film, US, Carl Franklin, 1992) Three crooks (Michael Beach, Cynda Williams, and Billy Bob Thornton) fleeing a multiple murder in LA bring big-city cops and gritty violence to the cornpone flyspeck of Star City, Arkansas, and its exuberant police chief Dale “Hurricane” Dixon (Bill Paxton). Franklin blends the crime film and the Western better than most directors handle either genre. Williams’ character anchors the movie, allowing Paxton and Thornton to blow up their parts gloriously. –KH
Understudy For Death (Fiction, Charles Willeford, 1961) When a well-to-do housewife in a small Florida town kills herself and her children, the cynical local reporter assigned to pry into the case stumbles into infidelity. Revived after half a century and still mis-marketed as a crime novel, this features Willeford’s unsparing hardboiled voice but is really an exercise in mid-century American alienation. As if a typical noir cast decided to set aside mystery and murder and stick to the behavior of Cheever or Yates characters. If you don’t know Willeford, start with Cockfighter.—RDL
The Unsuspected (Film, US, Michael Curtiz, 1947) A seeming suicide, a return from the dead, and a mysterious marriage throw the household of radio true-crime host Victor Grandison (Claude Rains) into dramatic disarray. Although Rains oils and conspires beautifully, if Curtiz had gotten his first casting choices (Orson Welles and Joan Fontaine) this would have been another of his Pinnacles. The dialogue crackles, the cameras zoom and float, and shadows loom and stab in this not-quite-flawless thriller. –KH
Good
Blind Spot (Film, US, Robert Gordon, 1947) A drunk writer (Chester Morris) may have murdered his publisher in a locked room right after coming up with a locked-room mystery plot. Strong viewer identification and the beautiful Constance Dowling (as the publisher’s pawed-at secretary) push this light work up to Good for me, but Morris’ ridiculous “drunk” performance in the first act and the lack of true mystery may drop it to Okay for others. –KH
Bodyguard (Film, US, Richard Fleischer, 1948) Dismissed from the LAPD, maverick cop Mike Carter (Lawrence Tierney) finds bodyguard work, and skullduggery afoot, in the Dyson meat-packing clan. Either you want to see Lawrence Tierney bully, slink, and growl his way through plenty of vital, interesting Los Angeles location shots or you don’t. –KH
Strange Impersonation (Film, US, Anthony Mann, 1946) Biochemist Nora Goodrich (Brenda Marshall) experiments on herself with a new anesthetic, sending the viewer on a thrill ride of blackmail, identity theft, alembics, and post-surgery cigarettes, with a terrific Anthony Mann shot every so often to goose the emotional stakes. Even William Gargan as the inexplicable bone of romantic contention can’t stop things dead. –KH
Okay
Escape in the Fog (Film, US, Budd Boetticher, 1945) Recuperating nurse Eilene (Nina Foch) has a nightmare of seeing a man stabbed on the Golden Gate Bridge — and then meets him when her waking screams bring him running. Budget limits and a hack script waste the appealing Foch and a great premise on a rote spy-smashing B-picture. Boetticher doesn’t really bother trying here. –KH
