Abraham Lincoln

Ken and Robin Consume Media: Bukowski Without the Sentimentality

July 2nd, 2019 | Robin

The Pinnacle

And Hope To Die (Film, France, Rene Clement, 1972) On the run from mysterious knifemen, a chameleonic pilot (Jean-Louis Trigtinant) becomes first the prisoner and then the accomplice of a heist gang led by a hardbitten mastermind (Robert Ryan.) Ineffably compelling, culturally displaced hangout movie escalates into a romantic fatalism that wouldn’t be out of place in a heroic bloodshed flick. Based on the David Goodis novel The Burglar and set in and around Montreal.—RDL


Filmworker (Film, US, Tony Zierra, 2017) Documentary portrait of Leon Vitali, who after an unforgettable performance as Lord Bullingdon in Barry Lyndon, gave up acting to serve as indispensable factotum to Stanley Kubrick. Tale of epic self-sacrifice to another’s vision rendered all the more fascinating by its subject’s cheery refusal to feel the regrets everyone else has on his behalf.—RDL

Fleabag Season 1 (Television, UK, Phoebe Waller-Bridge, 2016) Struggling cafe owner (Waller-Bridge) cycles through variously unfortunate men and tries to patch up her shaky relationship with her control freak sister (Sian Clifford) and distant dad (Bill Paterson.) Bruisingly funny dramedy employs direct address to establish sympathy for its anti-heroine and complicity with her messed-up decisions.—RDL

The Moon in the Gutter (Fiction, David Goodis, 1953) Stevedore scarred by his sister’s suicide is pulled between two women, his brutish almost-step-sister and a stylish pursuer from the right side of the tracks. Literary fiction with noir overtones radiates heat, blood, and booze sweat. Bukowski without the sentimentality.—RDL


The Fate of the Furious (Film, US, F. Gary Gray, 2017) In a turn smacking of a need to separate openly feuding cast members, Dominic Torreto (Vin Diesel) goes rogue, turning his back on family, to assist blond-dreadlocked cyberterrorist Cipher (Charlize Theron) in a nuke acquisition scheme. Dials back from the last installment’s inspired lunacy to routine lunacy, leaving the chief pleasure Theron’s measured downplaying of the exposition and protagonist psychoanalysis that comprise her role.—RDL

Night at the Crossroads (Film, France, Jean Renoir, 1932) Inspector Maigret (Philippe Renoir) dodges the advances of a lissome suspect (Winna Winifred) as he investigates the shotgun slaying of a jewel merchant at a lonely crossroads. Renoir’s uses a Simenon novel as a vehicle for social observation and his pioneering location work.—RDL

Triple Frontier (Film, US, J.C. Chandor, 2019) Tempted by ringleader Pope (Oscar Isaac) and led by old dog Redfly (Ben Affleck), five former Special Ops soldiers team up for one last job — to murder and rob a South American narcotraficante. Of course, the heist turns out to be more complicated, and the getaway more brutal, than the plan in this update of Treasure of the Sierra Madre for the post-Black Hawk Down era. Disasterpeace (with Lars Ulrich on drums) contributes an interesting score, when the movie bothers to let you hear it. –KH

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