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Ken and Robin Consume Media: Hollywood Archaeology and new Charlie Kaufman

September 15th, 2020 | Robin

Ken and Robin Consume Media is brought to you by the discriminating and good-looking backers of the Ken and Robin Talk About Stuff Patreon. Each week we provide capsule reviews of the books, movies, TV seasons and more we cram into our hyper-analytical sensoriums. Join the Patreon to help pick the items we’ll talk about in greater depth on a little podcast segment we like to call Tell Me More.


Dolce Vita Confidential: Fellini, Loren, Pucci, Paparazzi, and the Swinging High Life of 1950s Rome (Nonfiction, Shawn Levy, 2016) Scintillating, anecdote-rich history of the economic and cultural recovery that transformed Rome (with an assist from Florence) from war-ravaged wrecks to the epitome of late fifties and early sixties cool, from motoring to fashion to scandal rags and the movies.—RDL

I’m Thinking of Ending Things (Film, US, Charlie Kaufman, 2020) Despite her doubting inner monologue, a young woman (Jessie Buckley) accompanies her boyfriend (Jesse Plemons) on a visit to his parents. Fans of Kaufman’s elliptical, writerly scripts and form-breaking direction get what they want here, and they get it good. Buckley and Plemons anchor what could otherwise be empty stunting in felt, understood humanity. –KH

Looting Spiro Mounds: An American King Tut’s Tomb (Nonfiction, David La Vere, 2007) Tells the stories in parallel of the building (by Caddoan priest-kings) and looting (by Depression-stricken Okies) of the greatest archaeological find north of the Rio Grande, the Spiro Mounds in Oklahoma. Stronger on the looting than the building, but then the looters left documentary evidence behind, and destroyed most of the evidence the builders left. –KH

The Lost City of Cecil B. DeMille (Film, US, Peter Brosnan, 2016) Filmmaker documents his four-decade quest to excavate the buried Pharoah’s City set from Cecil B. De Mille’s 1925 version of The Ten Commandments from a Santa Barbara sand dune. A dizzying rush of colliding cultural history connections meets an epic battle against municipal red tape.

The Platform (Film, Spain, Galder Gaztelu-Urrutia, 2019) Book lover (Ivan Massagué) seeking no-effort diploma accepts imprisonment in a nightmarish complex where inmates eat from a platform covered with food that steadily depletes as it descends between hundreds of floors. Claustrophobic grand guignol shows that there is no allegory too heavy-handed for the extreme cinema genre.—RDL


#Alive (Film, South Korea, Cho Il-Hyung, 2020) Gamerboi Jun-woo (Yoo Ah-in) finds himself the very unprepared survivor of a fast-zombie outbreak in Seoul. A perfectly creditable zombie film with nothing particularly original or interesting to say, it squanders its interesting “apartment of Robinson Crusoe, with streaming” survival set-up and (except for one scene) Yoo’s acting chops, but does nothing very wrong either. –KH

Every Single Nero Wolfe Story (Fiction, Rex Stout, 1934-1975) On a lark in January I bought a bunch of Nero Wolfe books cheap, and as lockdown drove me deeper into comfort reading I read (or re-read) all 33 novels and 41 shorter works starring the famously lazy, corpulent detective. Stout’s greater creation was Archie Goodwin, an engaging viewpoint character who also thinks the hero is a jerk; his great gift was the ability to riff on his characters entertainingly enough to get you through a (usually fairly routine) plot shuffle very much including palmed cards. Start with The Silent Speaker or The Doorbell Rang (both Recommended) and see if you want to deal yourself in. –KH

The Freshour Cylinders (Fiction, Speer Morgan, 1998) Half-Native county prosecutor in 1935 Fort Smith, Arkansas investigates the murder of a collector of artifacts from the Spiro Mounds. More than adequate noir draws a detailed picture of Depression Oklahoma, with a possible lost tribe to boot. Sadly the style is only Good at best; I counted one line of really vibrant prose. –KH

One Response to “Ken and Robin Consume Media: Hollywood Archaeology and new Charlie Kaufman”

  1. Justin Mohareb says:

    Who watched the Cecil B. Demille movie?

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